Buying right, and at the right price!

What do you remember about March 2022? Russia had invaded Ukraine only a week earlier, there was a coup d’état in Burkina Faso (yes, I had to look that one up…), and then the Fed started the current rate raising cycle, thereby ending a decade of zero interest rates or if you will, free money. As we know now a year later, the subsequent increases to the current level were the quickest in history, and it’s not clear if we’re done yet. They’ve happened against a background of rising inflation after as said, a decade of zero rates and money printing, by the same central banks who are now trying to contain the inflationary pressures that resulted from it.

When you don’t get any return on your savings, you try to do so by putting your money elsewhere. And so over the last decade, pretty much every type of investment has had a good run that at least partly came to an end a bit more than a year ago. One of the best areas to put your money in this period has been various types of collectible cars – oldtimers, race cars, and then with time, pretty much every car beyond a certain age, never mind really how collectible it really is. That’s what we’ll talk about today, as everything that is priced as a collectible certainly isn’t one, which is something the new market environment will no doubt show us. I have however recently seen some excesses in the market that are frankly just ridiculous and that show that a new balance hasn’t been found yet. Being sensible in your planned car purchase is therefore more important than ever!

Pebble beach and other car shows have been spectacular in the last years!

Back in 2020 I wrote a post you can find here, where I went into some aspects to consider when buying your dream car. I also emphasized precisely that, i.e. that you should really buy the car because of your love and desire for it – not because you think it will increase in value. Although many cars have continued to do so, that’s worth remembering. Firstly, whether a car will rise in value or not is never a given (except perhaps for a small number of hyper-exclusive and very limited series). Secondly maintenance, storing, insurance and running any car, but especially collectibles, eats up much of the potential value increase, so at the end of the day there often isn’t much left. then again, that’s perfectly alright as long as your priority has been to enjoy the time spent behind the wheel!

You may well think this is too negative, and that value appreciation on, say a manual Porsche 911 of certain series is all but guaranteed since they haven’t yet reached the stratosphere (well, most have, but not all), and they’re becoming fewer and further between. That’s true, but then again so is a Porsche 944 which still hasn’t gone anywhere and probably never will – although its sibling (and less good looking) successor, the 968 has. I’m certainly not claiming there aren’t cars that will rise in value going forward, I’m just saying that you shouldn’t bet on it, and it’s not what should guide your purchase.

Today worth twice as much as its better-looking predecessor…

That said, there are a few clues to help you select a car that is both a joy to drive and can be expected to hold its value relatively well. A manual gearbox is certainly one such thing, if you look for example at a 911, a Ferrari F355, and a bunch of other cars that are 10-20 years old. Production numbers is another, as special series or limited production runs tend to hold values better. The right engine will help, as will provenance, given a famous previous owner tends to do wonders for the price. I find this last one a bit strange since it’s not like it says “this used to belong to (select your favorite famous person)” on the car, but I guess there are things that can’t fully be explained by logic…

A case in point is a classic dealer in the Zurich area who has a Porsche 928 GTS standing in the showroom. With 90.000 km on the clock the mileage is ok but not exceptional, as is the general condition of the car – very good, but not mint. The GTS was the last iteration of the 928 produced in the early 90’s. At 350 hp it had the highest power output of all 928 series and is for many the most attractive in the range, provided however that it’s a manual, which this wasn’t. The dealer had tried to compensate this with a big sign saying “Prominent Swiss previous owner”.

The dog is not included in the price…

This country is great in many things, but it’s not like we’re lining up famous people. The only two can think of who would motivate paying more for a car according to this logic would be Roger Federer, who’s however tied to Mercedes-Benz through sponsor contracts and, well, Tina Turner, who spent the last 20 years of her life in a magnificent villa on the shores of the Zurich lake. She obviously just passed away, may she rest in peace, but before that was mostly seen in a green Bentley. The “famous previous owner” is thus most probably no one known outside of the local Zurich circle. And it doesn’t warrant you paying – hold on to your chair – around USD 110.000 for this particular 928, especially when a far more desirable manual GTS can be had in similar condition for USD 20-30.000 less. Which is still double what they cost 2-3 years ago.

Another even stranger category is that of cars that someone bought a number of years ago and never drove, so that they’re now sold with very low mileage, most often in a condition close to new – at least on the outside. Obviously, if you’ve stored a car away for 30-40 years, it’s really important to know how it’s been stored, and also if it’s been maintained throughout. Because a car that is left standing for a number of years without no one attending to it, is not a car you want. Then the question is of course also whether there’s anything attractive with the car apart from the fact that no one’s driven it, or if it’s just an old car?

Irresistible? Rather very resistible…

An example of this is a VW Golf GL Diesel from 1983, advertised by one of the most well-known classic car dealers in the region. Someone bought this 50 hp monster 40 years ago, sealed it, and put it away, so that it only has 2.000 km on the clock. I guess the 50 hp were not that exciting even back then… It’s most probably been stored correctly and maintained throughout, but who on earth would pay the asking price of around USD 28.000 for a car that wasn’t even desirable when it was new? I can think of a large number of far better, more modern and certainly more fun small cars for that money, and I’d be really surprised if this example doesn’t sit with the dealer for a long time. As if this wasn’t enough, the 70’s shade of brown really isn’t a particular desirable color,

It’s not all bad though, because the gems are still out there, you just need to be patient and look out for them. Coming back to 911’s, and more specifically one of my favorites, the 997 Turbo, I’ve spotted a manual 2009 car in silver with a red leather interior and all the carbon packs you could have at the time, and around 85.000 km on the clock. It’s in mint condition and has had one previous owner, the F1 driver Jarno Trulli (who raced between 1997-2011 and had the good taste of scoring his only win in Monaco in 2004).

I need to find a good reason to put my money here…

Whether he’s famous or not is not the point, it’s more that I would assume that an F1 driver for one drives the car correctly (albeit fast…) and also knows, and has the money, to maintain it properly. Then again if that isn’t the case, I wouldn’t hesitate going for a car where it is, no matter who the previous owner is. At an ask price of around USD 85.000, the car is only slightly more expensive than comparable cars, but that is probably warranted by its history.

Desirable? To me, absolutely, I’ve had my eye on the 997 Turbo for a while and actually find the red interior pretty cool, although it’s not for everyone. Will it increase in value? Maybe, then again it certainly won’t be free to run. Does it make my “car buying pulse” increase? Definitely – at the thought of driving it that is, not speculating about its potential future value increase. If you ask me, that’s exactly as it should be. Now I just need to find a half-rational argument for it…

Street finds – the Rolls Royce Corniche Cabriolet!

Spring has been slow, cold and wet this year, which is actually the way it is most years if you live in Switzerland. Of course, at least if you’re me, you forget about it being the case over the winter, so I still manage to get as disappointed every year in April when the rain keeps on falling. Last week therefore brought a nice change for the better, also motivating the lucky owner of this magnificent Rolls-Royce Corniche Convertible to bring it out of the garage where it’s no doubt been sleeping through winter, and allowing me to capture the first street find of 2023!

A beautiful Mk III Corniche, as can notably be seen on the bumpers

How do I know it’s slept in the dry over the winter? Well, even though it’s clearly been renovated, and this to an extremely high standard, there is no doubt that this was a car lucky enough to have a meticulous owner who would never leave her outside during the cold season. I’m almost sure the owner has a Range Rover to take him through the dark months, as the two of them would really form an almost ideal pair. Of course, he could have a Cullinan as well, but surely no one with enough taste to renovate a Corniche Cabriolet would buy a Cullinan?

When it was launched in 1971, the Corniche was very appropriately named after the magnificent Haute Corniche, a curvy road stretching from Nice to Monaco on the French Riviera. The automobile (surely you can’t call anything as magnificent simply a car?) became a real long-runner for Rolls Royce. When it was presented, the company had gone over to be owned by the British state, following some not very successful deals involving its flight division. And yet when you see the Corniche, you would never believe it’s been created by anything other than a company awash with cash, such as the opulence it offers its owner. It would be built for all of 24 years until 1995, something today’s car builders can only dream of.

This dark blue beauty with its (no doubt new) cognac hood and interior is a Mk III, meaning it was built sometime between 1989 and 1993. That means it has the updated interior, as can be seen notably on the center console, but still the 3-speed automatic gearbox (a fourth speed would come with the fourth series), and about 200 hp from its 6.75 litre V8. Of course this was the period when Rolls wouldn’t divulge the exact power output, rather referring to it as “sufficient”. It certainly was for the way you’re supposed to drive a Corniche, but by modern standards, 200 hp for a car that weighed close to 2500 kg really isn’t much to write home about.

It should really be the ocean you see ahead!

However Rolls was of course right. You don’t need more power when driving a Corniche, and certainly not the convertible version. It’s a car that fits best along the road it was named after, arriving in Monaco as the sun sets over the Mediterranean in time for a an early supper at the Café de Paris before trying your luck at the Casino. It’s perhaps the ultimate symbol of British blue-bloodedness but above all, to me it’s one of the most beautiful cars ever built. Given the money this owner has invested to keep it in a shape very close to new, I hope we have a sunny and long summer to look forward to!

GTO – three-letter magic!

I spent a few weeks in Singapore some years ago and notably had the opportunity to catch up with a local reader of this very blog, as crazy about cars as I am. He was kind enough to take me to one of the leading, local supercar dealers on what felt like the outskirts of the city, and what he had on offer was very impressive indeed.

The issue is however that if you think speed limits are tough in Europe, that’s nothing compared to Singapore. In addition, the number of cars in the small country is regulated, so before buying a car, you need to buy a license giving you the right to buy one. The number of licenses is of course limited and the price for one varies a bit but was around $100.000 in 2022, and that’s before you’ve spent a dime on the car itself.

It’s not far from Marina Bay to Malaysia…

That said, if you have the money to buy a supercar, spending another 100 grand on a license may not a big deal. The remaining question is however where then to drive the car like it’s supposed to be driven. As it turned out, the supercar crowd in Singapore had a plan for that as well. As a member of the local Ferrari club told me, for their club outings they drive across the border to Malaysia and rent the Sepang F1 circuit for one day. That’s what I call a track day!

Of course, track days is something we have in Europe and the US as well, although in a slightly less dramatic setting. These days however, the car you take to a track day is typically a racing-oriented street car, such as for example a 911 GT2-GT3. Looking back, it used to be the other way around….

One of, if not the, most legendary car in the world – the 250 GTO

To come back to the heading of this post, the three letters GTO have a direct connection to what we today associate with track days. They stand for Grand Turismo Omologato (homologated), meaning the cars a manufacturer had to build for road use for a race version of the same car to be approved. When hearing GTO many of you will directly think of the most expensive and perhaps the most legendary car in the world, the Ferrari 250 GTO, of which 36 cars were homologated for road use.

It’s often referred to as the last true road racing car since after it, safety regulations would put a stop to such extreme machines being used on public roads. In other words, this wasn’t a street car you could race on weekends, but rather a race car you could drive on public roads. Or as Shelby Myers, a car specialist at RM Sotheby’s put it: “this was the last car that you could park in your garage, drive to the track, win the race, and then drive home.”

Racing on Sunday, commuting on Monday…

All 36 Ferrari 250 GTO’s were built between 1962 and 1964, and none of them were identical. They were a development of the 250 GT-series with the center piece being the 3 litre, 300 hp strong V12 with six Weber carburetors and a five-speed gearbox (increased to 4 litres and 390 hp on the three cars built in 1964). The development of the car was led by the legendary Giotto Bizzarrini (read more on him here and here), although he left Ferrari before the GTO was launched.

The cars were built by Scaglietti and Enzo himself apparently selected who was allowed to buy them. With a top speed around 270 km/h, the GTO won the GT World Championships in 1962-1964 and various other races such as Le Mans, Targa Florio (see here) and the 1000 km race at Spa Francorchamps. In total, it accumulated more than 300 race wins under its belt.

At $70m, the price record for this GTO still stands

The GTO is often considered the last great front-engine GT car built by Ferrari. That’s not the only thing it’s been called though. Other descriptions include the most beautiful Ferrari ever built, a true living legend, and rightfully, the most expensive car in the world, It’s perhaps no surprise that buying one takes a big wallet, but just how big is illustrated by the fact that in 2014, a GTO was sold for $38m and in 2018, the current record was set at $70m. The car in question was the 1964 Tour de France winner which thereby became the most expensive vehicle ever sold. Its price as new in today’s money would have been around USD 150′, so in other words, a pretty solid investment return!

The 250 may thus have been the last true GT car, but it was not the last GTO. Fast forward to 1984, when Ferrari introduced the 288 GTO at the Geneva Auto Salon. The car cost around $300.000 at the time, for which you could have got no less than for example three MB 500 SL’s, and it sold out before the Salon was over. If you find a 288 GTO today you can add a zero to that number, which still makes it a bargain compared to the 250 GTO. It may be far less legendary but not less important – rather the contrary.

The 288 GTO set Ferrari’s hyper car strategy for the future!

The 288 GTO (later called only GTO) was launched in period where Ferrari’s line-up with the 308, 328, Mondial and 412 was not the best it had ever been, and the company wasn’t doing very well financially. The new 512 was indeed an extravagant sports car in Enzo Ferrari’s taste, but he wanted something more. Or was it maybe the changes in the Group B rally regulation that motivated the GTO?

We’ll never know for sure, but what we do know is that the racing version of the GTO never happened. Instead, Ferrari reluctantly agreed to increase the street car production from 200 to 274 cars (yo have to think that some of their most faithful owners were pretty influential people already then…). And hereby, without knowing it, Ferrari had also found the formula for hyper car success that’s taken them all the way to today.

For the untrained eye, a GTO could be mistaken for a regular 308. If you look closer though, you see that it’s a bit longer (110 mm to be exact) different headlights. It’s a beautiful car in a more dynamic way than the original 250 GTO was, and looking at it today, it has an 80’s cool factor about it. The longitudinal, double-turbo 2.9 litre V8 put out 400 hp and given the car only weighed 1300 kg, that was enough for a 300 km/h top speed. The GTO hereby became the fastest Ferrari ever, and one of the fastest cars of its time.

As for Ferrari’s future strategy, the attention the GTO got helped lay the foundation for what would become a very successful formula for hyper cars from Maranello: no more than 500 built, technologically at the top, and buyers carefully selected. The F40 followed the same logic as did the F50, the Enzo, and later the LaFerrari.

As a side benefit the increase in value would follow almost automatically. Apparently the group of owners who were selected and thus own all the cars listed above is larger than you think, and they’re no doubt thankful to the 288 GTO for being not only a great car, but also for making what followed possible!

The most bling-bling of them all!

For most of us including yours truly, the Thrill of Driving (ToD) apart from being the name of this blog, refers to exactly that, i.e. the wonderful feeling you get from driving, say a manual 911 Turbo up a twisty mountain road, for example here in Switzerland. Then again, what really constitutes the thrill varies, also as we get older. Some people will think of it as maximum straightline speed, as in a Tesla Plaid. For others it’s hearing the screaming sound of a 12-cylinder from Sant’Agata. And then again for some, it’s more about the Thrill of Being Seen than the driving itself. And whereas a Lamborghini works pretty well also for this purpose, there used to be a brand out there that was only about turning a maximum number of heads. This week we’ll look at the almost forgotten creations from Excalibur, the craziest thing to ever come out of Milwaukee!

Brooks Stevens was an American industrial designer, specialized in cars and bikes, who worked at Studebaker where he had been commissioned by CEO Sherwood Egbert (yep, really) to design a spectacular car to put on the company’s exhibition stand at the NY motor show in 1964. He came up with the idea of creating a car with modern running gear, but in the style of the pre-war Mercedes-Benz SSK. The chassis came from a Studebaker Lark Daytona, over which a fiberglass body draped. The car was called the Studebaker SS and it was a great success with dozens of orders placed during, and after the motor show.

The Excalibur, inspired by the Mercedes-Benz SSK

Unfortunately Brooks’ creation wasn’t enough to save Studebaker that went broke the same year. Stevens was however determined to bring his car to market and did so by setting up his own company together with his sons. They called it SS Automobiles and the car they launched, very reminiscent of the Studebaker SS, was given the name Excalibur. Equipped with a 300 hp, small block Chevy V8 from the Corvette, production of the Excalibur started in 1965. The car’s low weight of about a ton gave it spectacular acceleration for the time, needing less than six seconds to 100 km/h with a 200 km/h top speed. The car was a success and in 1968, the roadster was complemented by an even more spectacular four-seater, the Phaeton.

All cars from Excalibur were hand-made and thus individual

With two oil crises in less than 10 years, the 70’s was certainly not the decade for V8’s on paper, but it didn’t hinder Excalibur from introducing an even bigger V8 and continue to do well without much of design updates. The general design was of course why clients bought the car in the first place, and given all cars were hand-built, a lot of smaller wishes could still be accomodated, as seen from the multitude of Excalibur models. Still, the company was also slightly schizoophrenic, choosing for example to sacrifice basic things such as roll-down windows (rather than just sidescreens) all the way into the 80’s. The Roadster was by then in its fourth series, but the engine had been heavily capped to a smaller V8 with only 155 hp – not even an Excalibur could completely avoid the oil crisis. The problem was that over the years the weight had almost doubled to close to two tons, meaning this by now was very far from being a performance car. It was also far from being a good deal with the price having increased about as much as the weight, to around USD 170′ in today’s money…

A Phaeton 1978 was definitely not a sports car, especially at 155 hp..

As spectacular as the Excalibur was, buyers no longer found this a very interesting proposition, Stevens had to file for the company’s first bankruptcy in 1986, and this woud be the start of a long line of owners over the coming years who all tried to revive the business, and who all failed. Henry Warner took over Excalibur in 1987, created the Excalibur Marketing Corporation with a plan to sell the Excalibur Series V. The engine was back to the original V8, but prices were roughly the same as before and success wasn’t much bigger. Warner sold far too few cars and had to throw in the towel only three years later, in 1990. A certain Michael Timmer then bought the rights to Excalibur, but he went bust before he’d made any cars at all. The last in the tragic row was Udo Geitlinger who acquired the rights to build Excaliburs in 1991 and relaunched the brand three years later with the Roadster Series VI. They would sell a few dozen cars but towards the end of the 90’s, the Excalibur lights went out for good.

Original Mini-like angle to the steering wheel, not much side support on the seats!

There is still an Excalibur Motor Corporation today, but that is one focused on restoring and maintaining as many of the existing cars as possible, both the Sportster and the Phaeton, with no plans for any new cars. In total, around 3500 Excaliburs were built through the years, all in the company’s home town of Milwaukee. How many have survived to this day isn’t clear, and it also seems to be matter of debate whether you like Excaliburs to have survived at all – no one is indifferent. But in a very uniform car world, isn’t it a breeze of fresh air when someone sets out on an arguably crazy project such as this one, and still manages to build a few thousand cars? Personally though, I don’t have any special feelings for the Excalibur. I’ve never driven one but knowing it’s a 60’s US car with a big V8, lots of power, a steering wheel tilted like a bus and initially radial tires, something tells me it’s more at home in a straight line than on a twisty mountain road. And it’s certainly not a car for the shy!

Bristol cars – as British as it gets!

What do Sir Richard Branson, Liam Gallagher/Oasis and Tina Turner have in common? I guess Tina or Liam may well have listened to the other’s music while travelling on one of Richard Branson’s Virgin planes but as you’ve guessed, that’s not the connection I’m after. That would rather be that they have been, or still are, owners of a Bristol automobile, perhaps the most British of all UK car manufacturers. With a long-term building philosophy of “no more than 2-3 cars a week”, never more than a single show room in London’s Kensington High Street and an at times very particular view of what good car design is, it’s really no surprise that the brand hasn’t survived until today – but it is a surprise it lived on as long as it did! Before Bristol is completely forgotten, it’s well worth having a deeper look at one of the UK’s quirkiest car companies and some of the wonderful cars they built during the 70 years it was in existence!

As many other car manufacturers, Bristol had its roots in airplane manufacturing but even before that, as a builder of tramways in the UK. The tramway company started operations as early as 1875 and business was especially good during WW1 when the Luftwaffe kept damaging the tramway’s power lines, thereby creating a need for lots of maintenance work. With the tram business up and running and the Wright brothers having flown over the English Channel, it became clear to Bristol’s founder George White that the future was in the air. The airplane business started in 1910 and enjoyed an equally good business in the run-up to WW1. As for so many other military suppliers though, when the war ended, orders no longer came in. Bristol had no choice but to diversify again, creating the Bristol Car Company in 1918. However, it wasn’t until the 1950’s that it really came alive.

The Bristol 400, Bristol’s first car.

What really got the car business going was a collaboration with Frazer Nash, at the time UK importers of BMW. Somehow Frazer Nash came in possession of all the drawings and specifications of the BMW 326-328 after the war and it was based on these that Bristol built and presented its first car in 1946, essentially a remodeled BMW introduced under the name Frazer-Nash-Bristol. The engine was the same straight six the Beamers had under the hood, but this and later Bristol cars weren’t just copies of the respective BMW’s – they were improved in several ways and already in the 50’s earned a very good reputation. Even though the official collaboration with Frazer Nash ended the year after, Bristol’s 400 series would go on and include all cars until the 80’s. Starting with the Bristol 400 in 1947 and along with the following Bristol two and four-seater cars until the 406 (and there were models for all numbers in between), the cars were all powered by the same two-litre, BMW straight six engine.

The Bristol 50’s factory didn’t change as much as others in subsequent years…

From the start, Bristols were thus positioned as luxury cars and comparable to the Jags and Bentleys out there. Of course all cars were hand-built back in the 50’s and 60’s, but Bristol did so in line with the British car building tradition and was quickly seen as an alternative to for example Jaguar. The cars were built to high engineering standards, said to be “built to last”, apparently to the difference to some other cars of the time. This together with the exclusivity that comes from building such small series of cars was what Bristol felt justified the high price. The “no more than 2-3 cars per week” was probably all the company could do anyway back in the 50’s, but the motto lived on through Bristol’s full history, making any Bristol a very rare automobile these days. Some of those will be far more desirable than others. If the early 400 series Bristols from the 50’s drew heavily on BMW, the 60’s and early 70’s models were certainly the high point of Bristol’s own design. You’d be excused for thinking that the design department was on long term leave during the following decades when you see later cars.

The interior of a Bristol 406 – very nice and very British!

Starting with the Bristol 407 the company switched to a Chrysler V8 engine which from the 411 (most cars) and onwards (all cars) was the large 6.2 litre one. The 411 is actually worth a special mention as perhaps the nicest of all Bristol cars. A total of 287 were built between 1969 and 1976, with the big engine making the car capable of a top speed of 230 km/h which you would have to be very brave indeed to exploit. This made Bristol the cool and far less common alternative to the Jaguar XJ-C or the Jensen Interceptor that I wrote about back in October. Engineering-wise it was certainly comparable and in the looks department, it was certainly up there with the XJ-C and some Italian beauties, which is saying a lot!

The 411, perhaps Bristol’s nicest car in my humble opinion

The late 70’s and early 80’s were certainly not known for good design and nowhere was it worse than at Bristol. Starting with the 412, the company’s efforts to modernize the lines failed so spectacularly that fans pretty much gave up on the company, starting its long demise. Cars like the 90’s Blenheim roadster were seen as dated already when they appeared, and it was in a last effort to save the company that Bristol developed the Fighter, built between 2004 and when the company went into administration in 2011 in around a dozen examples (no one knows for sure). It was a pretty extraordinary car, looking like nothing else and powered by Chrysler’s V10 Viper engine, here producing around 500 hp and coupled to a four-speed autobox. Bristol had plans to build around 20 Fighters a year and also to launch a turbo version with twice that power (yes, really!), but that wasn’t to be. Given the low level of interest the Fighter generated, probably due both to the particular design but perhaps even more to the GBP 230′ price tag, no other Bristol car would ever see the light of day.

The Fighter would be Bristol’s last car – not sure about the license plate

Bristol Cars went into administration in 2011 and was then bought by the Swiss Kamkorp group who never managed to bring out any new models so that until the lights were finally turned off in 2020, the company mostly renovated and supplied parts to older Bristol models. In 2016, the Bristol veteran Richard Hackett was one of the founders of a company called SLJ Hackett, today one of the main distributors of older Bristol cars. SLJ offers most Bristol models for sale and with prices starting around GBP 50′, they are more affordable than you may think. So if you want to do what Sir Richard, Tina Turner and Liam Gallagher did, then SLJ Hackett is the company for you. It goes without saying that the driving pleasure will be from the right side only – after all, who would come up with the strange idea of driving on the other side? Unfortunately there’s no place for companies like Bristol in today’s car world and that’s a shame, because it could certainly use a bit more of them!

The forgotten lord

The Range Rover is the most legendary luxury SUV out there, and it’s now been around for more than 50 years. The brand new model of which deliveries started early this year is however only the fifth generation in the line-up. The original Range Rover was built for all of 24 years, the third generation L322 for 11 years and the L405, the predecessor to the fifth generation of which I have one in the garage, for 10 years without major modifications. You will have noticed that the second generation, the P38, is missing from the above. This is a car that was never really loved, had the worst reputation of them all and had it been possible to stop, would probably never have been launched in the first place. Doesn’t really sound great, does it? This means that the P38 is very much at the bottom of the Range Rover pack in terms of secondary market values (or put differently, it’s dirt cheap), which is something that always intrigues me. This week, we’ll therefore look at the forgotten lord, the P38, to try to figure out if it’s best left to die, or actually something worth considering!

It was certainly not a very confident Rover company that presented the P38 in 1994. Rover had been taken over by BMW the same year in a merger that will not go down in history as the most thought-through, and when the Bavarians came up to the Rover factory in Solihull and saw the new Range project, they were apparently far from impressed. This was the car that was supposed to succeed the Classic that was was already then a legend, and BMW didn’t feel it was even ready to be released. They were however far too late to do anything about it and in the same year, the P38, somewhat half-heartedly, was presented to the world. Production of the original Range actually continued a couple of years in parallel to the new car, and the development of what was to become its successor in 2001, the L322, had already started. Talk about being an unloved child and with a build-time of only seven years, the P38 is (until today) the shortest-lived car in the Range line-up.

Early P38’s are recognized by yellow turn signals front and back

What is clear just by looking at it is that the design is nothing Rover needed to be ashamed about. What was to become the P38 was developed internally at Rover and the final project was preferred over four other, notably one from Bertone. Rover definitely made the right choice, as the P38 is a good-looking car and unmistakenly a Range Rover. The low waistline and big windows give it a friendly look and have the additional advantage of making it easy to place the car on the road, which to be fair is also helped by the fact that at 4.7 metres length and 1.9 metres width, it’s far smaller than later Ranges. The P38 was available with three engines, two versions of the Rover V8 at 4 and 4.6 litres, and a six-cylinder BMW diesel at 2.5 litres. Of these, the only one you should ever consider is the 4.6 l, as even that only puts out 224 hp and 380 Nm of torque and doesn’t make the Range a fast car. The 2.5 litre diesel delivers a paltry 136 hp, less torque than the V8 and needs a spectacular 17 seconds to make it to 100 km/h. It’s not even very economical doing so. All engines are coupled to a 4-speed automatic in a body-on-frame construction.

As in all later Ranges, the interior of the P38 is a very nice place to be, with a very distinct smell from the leather and other materials used. This was very much intentional as Rover had understood that with the introduction of the P38, these cars would start moving away from the pastures onto the roads, meaning buyers would expect a more luxurious interior. There is thus almost as much leather and wood in one of these as in a modern Range and although comfort is not the same at the same level, the air suspension helps you travel in high comfort. I’ve had the pleasure of doing so several times through the years, and the P38 provides exactly the same commading driving position in a plush chair as later – and more expensive – Ranges do. With an engine that doesn’t encourage anything but soft cruising that’s all you’ll ever do, and the P38 will be an excellent companion. All cars were well equipped by standards at the time, with the HSE being better than the SE, the Autobiography better than the HSE and with special series like the Holland & Holland bringing additional goodies.

A low waist line and large windows give a very airy feel!

So what about the quality and BMW’s feeling that the new car wasn’t ready to be released – has history proved them right? It certainly didn’t take long before the P38 started developing a reputation for bad reliability. This may not have been the case had buyers come from Rover’s traditional crowd, but BMW and other owners who were convinced to spend a lot of money on a new Range were far less understanding than traditional Rover buyers of regularly having to clean oil off their driveway. Having said that, all Ranges have a reputation for bad reliability, including mine which I’ve now had for 18 months and almost 20′ km without a single issue, so you could well imagine there’s a cultural angle here as well and that maybe, the car is better than its reputation. As so often, quality will stand in relation to previous ownership and service history, but it’s clear that the poor reputation has contributed to P38’s loosing value like a stone. There was a time you could have them for literally nothing, and people did, ruining them on the way, meaning the P38 has become rare these days and that prices have therefore started to climb somewhat. It will most probably never develop into a true classic like the RR Classic, but my guess is that values have hit the bottom.

A late 2001 car – cars after 1999 have an improved Bosch engine management system.

So, should you park a P38 in your driveway? I can imagine some good scenarios for doing so, but they’re all based on finding a mechanically sound car, so the regular checks of service history and general condition are very much mandatory. High mileage needs not be an issue if the car has been regularly maintained. During the last three years, the Lucas engine management system was replaced by one from Bosch, generally considered better. Among expensive things to fix, pay attention to the suspension, if it’s harsh or inexistent, that means a problem with the air suspension system which will be expensive to repair. Also check the auto box in Manual and Sport. Otherwise one of the attractions of the P38 over its successor, the L322, is firstly that it looks better, secondly that it weighs almost half a ton less and thirdly, that there’s less (and less complicated) stuff to fix. The P38 remains a very comfortable way to travel and of course, being a Range Rover, an outstanding offroad car, and the few remaining nice examples out there can be had today for less than EUR/USD 10′ with much room for negotiation, which is a true bargain. In the electrified world we’re apparently moving towards, there’s of course a risk is you’ll never get more from it than scrap value when you try to sell it, but what the heck – why not enjoy the ride until then in a car that will always look more expensive than it is!

The unique Lancia Stratos!

If competition between car makers has been a trait of the automobile industry for as long as anyone can remember, it’s probably only in Italy that competition between car designers was just as fierce. The two dominant houses in Italian car design are of course Pininfarina and Bertone, both having employed legendary designers through the years who have in turn been responsible for some of the most beautiful car creations to come out of Italy. Usually one of the two big houses would be the main partner for a certain brand, but there was certainly nothing hindering the other one from trying to gain market by various means. Thank God for that because otherwise, the legendary Lancia Stratos would probably never have seen the light of day.

Lancia had historically mostly collaborated with Pininfarina in designing its models, with Bertone eagerly watching from the sidelines. In the late 60’s however, Bertone saw an opportunity as it was obvious that the ageing Lancia Fulvia was up for replacement. Bertone’s gave its legendary designer and our old friend Marcello Gandini, the man behind notably the Lamborghini Miura and Countach, the task of drawing a car that completely broke with the Fulvia and would signal the advent of a new, modern era. So he did, and it was so convincing that the Lancia bosses decided to show the prototype at the Turin Auto Salon in 1970. Gandini was subsequently commissioned with designing the production car that would come to market a couple of years later.

Gandini’s original Stratos prototype was…special!

The Stratos’ predecessor, the Fulvia coupé, had been used on the rally scene in the 60’s with some success, and Lancia saw rally as a way to position the brand as a sporty alternatively notably the the siblings from Fiat. This meant that unlike basically any other rally car at the time (or for that matter, thereafter), the Stratos was developed exclusively with rallying in mind, and not as a civilian car later converted to rally usage. You don’t need to look at the car for long to see this was the case, and also that this was a completely new design language that would follow Gandini notably to the Countach. The ultra short wheelbase of only 2.2 metres carries a body with minimal overhangs but with a big, sweeping front screen giving the driver great visibility. The engine was mid-mounted in the ultra low, rear-wheel drive car, getting in and out of which it is not an exercise suitable for any kind of daily driving. Looking at the Stratos today, it’s surprising how small it really is at 3.7 metres and around 900 kg. Lancia did however have to comply with the rules for any rally car at the time, namely that 500 so called homologation cars for street usage had to be built and sold along side the rally cars themselves.

How most of us remember it – on a clay road in some southern rally!

During the development of the Stratos, Lancia had considered various engines for the car, but the one they really wanted was the 2.4 litre V6 that Ferrari was using in the Dino. After long negotiations, rumour has it that Enzo Ferrari himself agreed to deliver the 500 engines necessary for the homologation of the Stratos. However, after the first 10 engines or so the deliveries suddenly dried up, with Ferrari claiming various production issues. It wasn’t until Lancia threatened to replace the Ferrari engine with another motor that they finally started coming in. Strangely enough, that also coincided with the end of production of the Dino, which Enzo had of course seen as a competitor to the Stratos… In the homologation street cars the engine produced 190 hp, in the rally cars performance was typically between 300-400 hp thanks to a big, old-school turbo. With the car being rear wheel drive, it’s an understatement to see that the Stratos was difficult to drive, but for those who mastered it, it was one hell of a car!

The Stratos premiered in the world rally championships in 1974 and went on to win the title straight away, as it did in 1975 and 1976 as well. It won both the Swedish Rally on snow, and the African rally on clay in the same period. There’s little doubt it would have gone on to win further titles had Lancia let it, but by this time Fiat had taken the somewhat strange decision that the Fiat 131 Abarth, a not very futuristic car that few will remember and that didn’t see much success, would be the rally car (and Fiat thereby the rally brand) in the Torino car family. The last major title the Stratos won was therefore the Monte Carlo Rally in 1977, although private teams continued to race the car and having success doing so after that. Of course Lancia came back on the rally scene a few years later with the Lancia Delta Integrale, that we looked at in an old post from 2015, but that’s another story.

The quite minimalistic interior of the homologation cars

There’s been various initiatives over the years to revive the Stratos, some of which have made it to some of the big car shows, but none of which have so far made it all the way to production. The most promising one was designed by, hold on to your chair now, Pininfarina and not Bertone, although it was, let’s say heavily inspired by the Bertone-designed original. It was built on a Ferrari 430 chassis and was to be built by a company called Manifattura Automobili Torino (MAT). It was shown at the Geneva Auto Salon in 2018, but the project then died off, apparently not because of Covid but rather because of Ferrari vetoing it, unclear why. I included it in my overview of the auto salon back then in a post you can find here.

The Stratos was thus a truly unique car, and to me, one of the coolest cars around to this day. It’s also uniquely small, uniquely focused on rally and if not uniquely, then at least very successful. It’s also a uniquely difficult car to find today should you want one. With 500 built in the early 70’s that’s perhaps no surprise, especially since many of the buyers certainly thought of themselves as hidden rally talents. As I write this in the middle of February, there’s not a single car on the market anywhere in Europe, nor in the US (which is less surprising since the Stratos never made it officially there). The Stratos will thus remain a rally legend for poster walls or these days Youtube, but what a car it was!

Street finds – the Jeep Grand Wagoneer!

Christmas is a time of year full of traditions. There’s the food, the tree, the extremely repetitive Christmas songs, and then of course those Christmas movies. I can think of no other season that you associate with watching the same movie every year, yet that’s what happens at Christmas, and we all have our personal favorites. In our family, Chevy Chase’s hilarious (if you have a rather simple sense of humor) National Lampoon’s Christmas Vacation has a special place. I actually find the first 10 minutes the most fun, when Chevy alias Clark Griswold drives his family out into the wilderness to find the family Christmas tree, and on the way manages to get into a fight with a pick-up and to squeeze his giant station wagon with vinyl wood decorations on the sides between the axels of a big truck.

The movie came out in 1989 and as said, Chevy/Clark is driving a boring station wagon rather than the car that was launched precisely for this kind of family setting and situation (except the part under the truck), featuring the same kind of fake wood decoration. I’m of course talking about the legendary Jeep Grand Wagoneer, a record-breaking SUV in several aspects. The Wagoneer was notably built for 29 years, the third longest of any one generation car in American history. It was also launched in Europe seven years before Land Rover’s first Range Rover, which was of course three-door only for the first years, meaning it’s arguably the grand daddy of all modern luxury SUV’s. I saw the below example in Oslo, Norway earlier this week, perfectly parked in front of a nice hotel entrance, putting its elegant line in the right context. This week, we’ll therefore have a look at this true but increasingly rare SUV legend in its most luxurious version!

It’s difficult to imagine a better city setting for a Grand Wagoneer!

The Wagoneer was produced for so long that its mother company Jeep had time to change owners no less than three times. When production started in 1963 Jeep was part of the Kaiser Jeep Corporation, making the Wagoneer the direct replacement of the Willys Jeep Station Wagon that had been produced since 1946. Seven years later Jeep would be sold to the American Motor Corporation (AMC), and finally in 1987, to Chrysler, where it’s remained until today. As said the Wagoneer was built until 1990, however the Grand Wagoneer version that we’re focusing on here was only introduced in 1984, meaning most of the ones you see were built during the Chrysler years. That’s perhaps less important than the fact that quality-wise, the 1988 to end production years seem to be the best, with a number of improvements both to the interior and the exterior, In terms of engine though, Chrysler continued to use the 5.9 litre (360 cui) V8 developed by AMC, that at around 150 hp wasn’t very powerful in horsepower but all the more in torque, giving the car great towing capacity. It was also a heavy drinker, with average consumption apparently at 11 mpg or around 20 litres per 100 km…

The engine may not be beautiful, but it has all the torque you need!

What’s always enchanted me with the Grand Wagoneer is its looks and of course, it’s wonderful fake wood! Jeep guarantees that not a single tree was chopped to produce the vinyl panels on the exterior, and the same seems to go for the inside. There’s definitely an 80’s chic around the panels but they do add visually to the body, making it look less heavy. By modern standards the Grand Wagoneer was of course less heavy not only in looks, weighing in at around two tons, around half a ton less than a modern, large SUV (in the traditional American way, the Wagoneer was a six-seater). Being the top of the line version the Grand Wagoneer also had a lot of equipment for the time, with stuff like premium speakers, central locking and windows, and even keyless entry on the last model years from 1989. Of course it also had the split tailgate like the Range Rover does, perfect for enjoying a cup of coffee out in the wilderness, or on whichever adventure your Grand Wagoneer has taken you.

A perfect American mix of leather, cloth and vinyl!

Any type of Wagoneer has gotten rare these days and even fewer are in the condition you want them to be. The original Grand Wagoneer additionally suffers from the doubtful long-term quality of fake wood, so I was really lucky to see one in such a good condition as the one in Oslo. The rarity is also seen in prices, with a good version costing at least EUR 40-50.000. Then again, for car that has such presence and literally invites you to take your family or friends out on any adventure you can think of, that really is a bargain. Fuel costs will stay somewhat reasonable given you’ll cruise around at moderate speeds, listening to your cassettes on the premium speakers. There will be some additional costs to pencil in though, unless you already have a pair of used Timberlands, a squared flannel shirt and a leather jacket that has lived as least as long as the Grand Wagoneer in the closet!

The simple life!

It’s a pretty established phenomenon that as we grow older, we tend to look back on our younger days with a feeling that life was both better and simpler then. That it was better is nothing but a myth as any statistic, and I do mean any statistic, will tell you. In terms of simplicity however, it’s a different story. Earlier this week I was sitting at a corporate dinner when the discussion turned to the early gigantic mobile phones at the turn of the 80’s and 90’s. I said something about life being simpler before the mobile phone and to my surprise, all of the far younger than me basically gave up a cheer.

Simplicity is of course something we’ve lost in the car world too. It feels like most new cars today have more chips than bolts (and quite some difficulty sourcing all of them!), and even a lightweight fanatic like Lotus has with the new Emira crossed the line to something more settled and mature for an audience today expecting more comfort, even in a Lotus. Not too long ago, this was very different, which is of course part of the charm of classic cars. So if you’re wishing for a simpler life and perhaps also for a classic set of wheels to put in your garage without having to rob the bank, let’s look at a cheap and simple option that has enchanted car enthusiasts for 60 years. A car that is one of the biggest successes of UK car industry ever, and that has also inspired further more modern legends, such as the Mazda Miata. I’m of course talking about the wonderful Triumph Spitfire!

The Mk1 Triumph Spitfire

The story starts in the UK in the late 50’s, when the UK car industry was cash strapped as always but not yet in the very dire straits it would find itself a few years later. Triumph watched the success Austin Healy was having with the Sprite, a simple roadster with a small engine and an equally small price tag launched in 1958. Triumph had themselves built the TR2 and TR3 since the early 50’s, but realized there was market share to be taken by marketing a cheaper and simpler car, that was still better than the Sprite. The design was commissioned to Giovanni Michelotti, a legendary Italian designer with cars from Maserati to Ferrari under his belt, but also less exotic ones of which notably quite a few for Triumph, including the TR4 and (later) the Stag.

And yet, the car that was to become one of few real successes of the UK car industry almost never happened. In 1960, Triumph was sold to Leyland Motors and in the midst of the merger, the Spitfire which at that time was only a single prototype, was forgotten in the corner of the Triumph factory in Coventry. If not for a Leyland manager poking around and finding the car under the dust, it may never have been. As it happened, not only did it come to be but it did so very quickly, as the first car was presented only 18 months later, in 1962. The name obviously comes from the Spitfire fighter plane from WW2 and it’s unclear to this day how Triumph agreed with Vickers, makers of the Spitfire plane, agreed to use the name – if they ever did.

A Mk III interior – unlike later cars, the instruments are still in the centre

Presented in 1962, The Triumph Spitire 4, where “4” represented the 1.1 litre, four-cylinder engine with 63 hp, was a simple car indeed. It only weighed around 700 kg so even with 63 hp, it had reasonable speed for the time, but the reason it weighed so little was that things we would tend to think of as quite standard even for classic cars, such as carpets and heating, were optional. It also had a very light folding top that should perhaps better have weighed a couple of kilos more, as it was almost impossible to use. Of course, at 63 hp, the Spitfire wasn’t what we would call a sports car today. It needed around 16 seconds to reach 100 km/h, but given you’re basically sitting on the road given how low the car is, that actually feels like plenty. Especially when you notice that the rear end is very lively indeed when the road starts to turn, something that wouldn’t be solved on later Spitfires until the 70’s.

The little modified Mk II Spitfire came in 1965 with now 67 hp. Sales in the US were really picking up and Triumph encouraged owners to race their cars on weekends, advertising any success they would have in the Triumph name. The “race on Sunday, sell on Monday” philosophy led to the Mk III in 1967 now with a larger engine at 1.3 litre, and – horray! – an updated soft top that could actually be closed. By this time you also got carpets in your Spitfire. By 1968, 100.000 Spitfires had been sold of which over half to the US. Two years later Michelotti did a pretty complete re-design for the Mk IV version, including the same rear lights as on the Triumph Stag, and a heater as standard. The final Spitfire 1500 that came in 1974 was the most powerful version there would be at 71 hp, however only outside of the US as there, emission regulations actually made it slower than its predecessors.

The Spitfire 1500 with rear lights form the Stag. Objectively the best Spitfire.

In the mid-70’s, the UK car industry was in full crisis mode and there was no money to further update the Spitfire as would have been required to keep the car competitive in view of increasing competition, notably from Japan. The GBP/USD exchange rate also meant the car became expensive in the US, with sales numbers starting to dip. The Spitfire would be with no further updates done to the car until the end of production in 1980. By then, over 300.000 Spitfires had been built with the last version, the 1500, representing about a third of total sales and no doubt also being the best car.

Even for an ex-TR4 owner like myself, driving a Spitfire as I did a few years ago, is a different experience. It feels like you literally sit on the ground, everything is smaller and trust me, the least of your concerns is a lack of speed, especially as the small four-cylinder produces a wonderful sound! That said, the early cars are perhaps a bit too simple even for those looking for the simple life this post started with. So if a Spitfire sounds like your thing, I would go for a late, 1500 car or if you prefer the earlier design, then for a Mk III. A good car will be yours for around EUR 15-20.000, a small price to pay for a pure driving experience. So leave the mobile phone at home, put on the gloves and go for a drive in a truly simple UK car legend!

Wonderful British quirkiness!

There was a time not too long ago when the UK was perhaps together with Italy, the world’s greatest sports car nation. A large number of brands built various roadsters, coupés and GT’s, many of which have today become classics. Some are obviously more well-known than others, and their fame is often reflected in the astronomical prices many of them trade at today – think for example Aston Martin. What most of them have in common though, except Aston Martin and one-two others, is that they’re no longer around. The late 70’s and 80’s were a period of demise for the British car industry and through that, a number of highly original and quirky brands were lost. That’s of course how a market economy should work but just like with Saab a few decades later, it also meant losing a bit of the originality the car industry was characterized by not too long ago. One of the quirkier brands from this period is no doubt West Bromwich-based Jensen Motors, builders of the Jensen Interceptor of which I was lucky enough to see one earlier this week. This week we’ll therefore look closer at a quirky English brand, its cars and, well, the British view of the world beyond the channel! Jensen started as an automobile body manufacturer back in the 50’s, notably for the British car maker Austin Healy. Next to that however, the founding brothers Jensen decided to produce their own sports cars in small series. The first in line was a car with neither a very selling name (C-V8), nor a nice design – some would go as far as call it outright ugly. Jensen’s designer Eric Neale certainly didn’t think so but given the client is always right, the C-V8 was pretty much a complete failure. Jensen cv8 It was the search for a somewhat more successful car than the C-V8 that led to the Interceptor, Jensen’s by far most well-known car, presented in 1966. This time the design had been commissioned to the Italians at Carrozzeria Touring (another company that would go bust a few years later) and although certainly more convincing than the C-V8, it was definitely still quite original. The front looked like many sports car in the day, the rear which in the UK became known as the “fish bowl”, is rather reminiscent of the 70’s AMC Pacer (which was of course designed after the Interceptor). If the exterior isn’t to everyone’s taste the interior is much more so, with a selection and quality of materials that led to the Interceptor being compared to high-end brands such as Aston Martin, Bristol or even Rolls-Royce. Interceptor interior We’ll make a quick pit stop here for a small side story that I find a wonderful illustration of Jensen and British car industry of the time. Jensen in parallel to the Interceptor built another model referred to as the FF. That’s actually a historic car as it was the first non-SUV passenger car with four-wheel drive, and thus highly innovative for its time. Neither in the 60’s nor now however does it snow a lot in the UK so if you build a four-wheel drive car close to Birmingham, you have to assume it was also intended for exports. All good so far. It’s just that no one in the Jensen factory apparently thought about the fact that most of the world outside of the UK by now had the steering wheel on the left side. So the FF only came as right-hand drive. Let’s just say it wasn’t a tremendous recipe for export success… Back to the Interceptor, which during the 10-year production came in three series with only subtle design differences between them but where the MK III was by far the most produced. The MK III also came with three different bodies: the most common “glass bowl” saloon, the much rarer and arguably better-looking convertible, and the ultra-rare coupé with a plexiglass rear. All three series had Chrysler big block V8’s and 3-speed automatic transmissions, but whereas the first two shared the same 6.3 litre, 325 hp V8 as the predecessor C-V8, the MK III had an even bigger, 7.2 litre engine, however at 285 hp with less power. This all had to do with the new US emission rules that limited the power of large engines quite heavily. Not only was the 7.2 litre engine less powerful, it was of course also heavier, and just a tad thirstier: apparently we’re talking 25-30 litres per 100 km (8-10 MPG) … Interceptor grey The convertible version of the Interceptor was presented in 1974 and is another example of Jensen’s risk-willingness or complete ignorance of the world beyond the UK, depending on how you see it. At this time most other brands were halting the development of new convertibles altogether, as it was widely expected that US safety authorities would enact a complete ban on open cars without roll-over bar. So Jensen was basically the only brand brave or foolish enough to launch a new convertible in this period. They were ultimately right given a ban was never enacted but they were kind of wrong anyway, since the whole company went bust only two years later, in 1976. By then they had produced about 500 convertibles, out of a total of some 6400 Interceptors. Interceptor cab Although the big block Chrysler engines were quite bullet proof, the fact that they all had carburettors and lots of them, didn’t make them any easier to run or service. The carburettors had to be adjusted frequently for optimal performance, apparently up to as often as every 1000-2000 km. Cooling was another issue Interceptors were known to struggle with and then there was of course the same issue as with all other cars in the 70’s – rust. You can certainly convert the engines to injection and upgrade the cooling system, an idea that some won’t like at all given the car is then no longer original. It will however be far more drivable, and thus possibly a solution for those preferring to spend time on the road rather than in the garage. Cooling and carburettors aside, the Interceptor is known as quite a wonderful GT car, offering loads of 70’s luxury and charm typically for far less money than a comparable Aston or Rolls (who as we all know also tend to have an issue or two…). There aren’t many in the market which makes pricing uncertain, but good saloons tend to start somewhere around EUR 50′ with convertibles costing much more. If this wonderful example of British ingenuity combined with a dinosaur-engine of a type will certainly never see again, then please make sure that if you’re not mechanically talented, you know someone who is, and go for a car as perfect as possible, as finding replacement parts for an Interceptor risks being as hard as finding a UK prime minister who will stay longer than a few months!

Two is more fun than one!

Turbo. the concept arguably made popular in petrol cars by Swedish Saab in the 70’s, has come such a long way that it doesn’t get much attention anymore. Yet if you want to challenge the US saying “there’s no substitute for cubic inches”, at least in terms of power output there’s no way around the turbo. Its advantages are obvious in allowing a far larger output from a smaller engine than would otherwise be the case, and a smaller engine means lower weight and potentially lower consumption, a bit dependent on how often you rev the turbo. Over time things have gone from one to two or even three turbos in modern engines, engaging at different revs, and the concept of more than one turbo on a petrol engine actually goes back to the late 70’s as well, and was somewhat surprisingly pioneered by none other than Maserati. In fact, most observers agree that had it not been for the Biturbo engine family, Maserati would have gone under there and then – and that would have been a shame!

A first generation Biturbo Spyder

There were two reasons times weren’t rosy at Maserati’s HQ in Modena, Italy, in the mid 70’s: firstly Maserati was owned by Citroën at the time in something that was far from an ideal marriage and secondly, various cars were built in small numbers without standardised production methods. Next to that however, much like other sports car brands at the time, Maserati was not helped by Italian taxation law which heavily penalised engines larger than two litres. This led manufacturers to the same thinking that Saab had up in Sweden, albeit for different reasons, namely to get more power out of a smaller engine. The turbo was the answer, but whereas Saab found one turbo to be sufficient, down in Modena the idea was an engine with two turbos boosting power even further. The project was led by a certain Alejandro de Tomaso, the Argentinian who had run his own car brand in Modena since the 50’s (and whose cars until then had certainly not used turbos but rather cubic inches, but that’s a story for another day…).

A less spectacular rear, but notice the Maserati emblem on the c-pillar!

De Tomaso took over Maserati in 1976 and saw its way back to profitability in cheaper cars through standardised production methods and with sub-two litre engines such as to avoid taxation penalties. The result was on one hand a range of different models over the coming years that we’ll look closer at below, and on the other the six-cylinder Biturbo engine which initially put out 179 hp from only 1996 cm3. That number would later be increased to as much as 245 hp in the early 90’s and siblings to the engine would offer even more power but at larger volume, and were therefore mostly destined for the export market.

The cars Maserati started producing under de Tomaso’s management were comparable to the BMW 3-series of the time in size and came as two-door coupé, convertible/spyder and four-door sedan. At 4.1 metres long and only some 1100 kgs weight, the first generation Biturbo cars that came onto the market from 1982 used carburettors, which combined with the small six-cylinder engine produced a wonderful sound. Initially de Tomaso’s plan seemed to work as sales numbers picked up from around 2000 in 1982 to over 5000 in 1983. By then however, early cars started having pretty important quality and reliability issues, and sales numbers fell regularly over the coming years. Issues were actually so important that Maserati decided to remove the Biturbo reference in car names after 1988, by which time both engines and cars had seen quite an important facelift and had also improved quality-wise.

A late Spyder interior with lots alcantara, leather and wood! Notice the watch…

Be it the two-door coupé, the Spyder or the four-door sedan, what they all have in common are quite an angular design which is far from the the sweeping lines of Italian cars in the 60’s. It’s a matter of taste whether you like it, but the car definitely has more presence than for example a BMW 3-series. And once you open the door, everything changes as you’re greeted by an ocean of leather an alcantara in a cabin that no one on this side of Rolls Royce and Bentley offered at the time, and hardly do today either. The interior could be chosen in different colours and with different mixes of alcantara and leather, and looking at most cars today makes it clear how much better leather stands the test of time than alcantara!

The sharp lines were softened a bit both inside and out with the first facelift in 1987 and perhaps more importantly, the engine was changed to fuel injection. Further improvements over the coming years included the suspension, steering and brakes, and as mentioned, the overall quality improved. In 1991 the two-door Shamal was added to the range with further design changes to other cars as well, generally in the form of more painted plastics in line with what was popular in the 90’s. The 2-litre V6 by now produced up to 245 hp but was only sold in Italy. It was complemented by the larger 2.8 litre engine in other markets, and models in the late 80’s and early 90’s were called 2.24 and 222 (two-door) and 4.24 and 422 (four-door). Next to these the Spyder was still built, featuring the same engines. A couple of years later in 1994, the lights were out for Biturbo engine, although elements of it lived on into later Maserati engines.

The Shamal is hard to find and could only have been built in the 90’s!

It’s a few years since I drove a late 80’s coupé, but it was probably the most Italian driving experience I’ve ever had. As said the car is small, so you sit relatively tight in quite an Italian position, meaning one that requires long arms and short legs, which isn’t really how I’m built. It also made clear that Italians are usually smaller than my 183 cms. it’s not too bad though and when you look closely at the interior, you discover how wonderfully hand-sewn it looks, with uneven stitching here and there which only adds to the charm of the package. It’s a car you can definitely throw around the corners should you want to, but be slightly careful doing so given the engine of course has the same Ketchup-like power delivery as other 80’s turbo engines. Generally though, the car is a pleasure to drive and gives you real 80’s vibes!

The quality issues Maserati ran into with the first series of cars meant values reached rock-bottom on the used car market, and although good cars have started to gain somewhat in value, we’re pretty much still there. This is clearly driven by many cars having been purchased by drivers on a small budget who could buy the cars thanks to the cheap entry ticket, but who have then neglected maintenance or used the car like a hot hatch. Service history is therefore key, as is a thorough inspection of the rust-prone body and the sensible, and today partly irreplaceable interior. Did I mention checking the engine as well? You should, but even if you do it all, a Biturbo will probably not be the problem-free perfect car for those who love German precision. It’s thus important to know yourself in this regard. The best part is of course that you won’t have to spend more than EUR 15-20.000 for really good cars, meaning a bit of investments isn’t all that bad. That’s with the exception of the Shamal though, a car by many considered a the best (and certainly sportiest and most 90’s) of the Biturbos, but which today is very hard to come by, and correspondingly expensive.

The Spyder gives you even more engine sound for the same money!

The four-door Quattroporte is generally slightly cheaper than the coupés and Spyder, and arguably the least attractive in the range. Later cars after 1987 and into the 90’s are quality-wise the best and most powerful. They don’t have the unbeatable sound of the carburettor six-cylinder though, and have also lost some of the angular appearance of the early cars. Both earlier and late cars in good condition are becoming more difficult to find but if you do your research, you will definitely find a Biturbo that provides plenty of pleasure along with a few frustrations, and the value of which can only go one way from here. Should that not be enough, driving it will also make you feel more Italian than anything this side of Modena!

The most elegant 4-seater ever!

A few weeks ago I was fortunate enough to spot a number of spectacular cars within a few minutes and meters in downtown Zurich, and made a post about it that you can find here if you missed it. One of those was in my eyes far above the rest in both elegance and rarity. To me, the legendary Mercedes-Benz 280 SE 3.5 Cabriolet is one of the most elegant cars ever built and as I said in my post, it certainly deserves a bit more attention than sharing a post with a number of other more “everyday” cars (that’s perhaps stretching it, but at least far more common). This week therefore, we’ll take a closer look at the car that is not only beautiful and incredibly elegant, but also historic in several ways!

The beautiful 280 SE 3.5 Cabriolet

The 280 SE (as I’ll call it from here on, given that saves loads of time writing…) is part of the W111/W112 range, the roots of which go back all the way to 1959 and which are today known as forerunners to what would later become the S-class. The W111/W112 (the difference being that the latter was a more luxurious version with notably air suspension and a more luxurious interior) was mostly sold as a four-door sedan, which became known as the “Heckflossen”-Mercedes (tail fin Merc) due to the shape of the rear “wings”. However a station wagon, a coupé and a convertible were also built in smaller numbers, all based on the same, non-modified platform. The body parts were different though and most of these were produced by hand, as many other cars at the time. The sedan wasn’t however, and this contributed to making the other versions prohibitively expensive in comparison. In spite of this and the resulting small production run, they are important as they are the last Mercedes cars that were in essence built by hand.

The regular w111, also referred to as “Heckflossen” (tail fin)

In the first half of the 60’s, the coupé and convertible had the designation 220 SE and were powered by a 2.2 litre, six-cylinder engine putting out a relatively modest 120 hp. Subsequent versions called the 250 SE, the 280 SE and the 300 SE (the most luxurious version, part of the W112 range) pushed that all the way to 170 hp, but it was in 1969 that things really changed, as that was the year the 280 SE got the brand new, 3.5 litre V8 engine internally called M116 with 200 hp, the first Mercedes engine post-WW2 that was larger than three litres. It came together with a modest facelift as the W111 was starting to age, notably including a flatter radiator grille and different rear lights. The new grille’s shape made the car known in Germany under the name “Flachkühler”, translating into “flat radiator”. Contrary to what is often believed it thus had nothing to do with making more room for the new engine, but was rather purely a styling measure. The price issue had been solved somewhat at least vs the coupé, as the convertible was only 10% more expensive towards the end of production. That is slightly different today, as we’ll see below.

Not the most beautiful engine, but the 3.5 litre V8 it does its job!

The 280 SE comes from a time when Mercedes was shaking off the old post-war heritage and started developing more modern cars to take the brand into the future. Car building itself was however still traditional, panels were still in thick metal and weight considerations weren’t a major concern, neither on the outside, nor on the inside. What looks like wood is indeed wood, and of the finest quality, and quite a few cows must have lost their lives when the interior was sown. The doors are heavy and make the right sound when you close them and the leather-covered dash has another cow or two on its conscience. The engine is said to have power at all revs and the 280 SE was good for 210 km/h at the time, although most people would probably not think of going anywhere near that today. This very luxurious convertible was hence seen as the 300 SE’s successor, but it was actually part of the W111 range and most notably, had conventional rather than air suspension.

They don’t make car interiors like that anymore!

The 280 SE 3.5 Cabriolet was built 1232 times between 1969-1971, not a lot when you consider the total production run of the W111/W112 of around 400.000 cars. It would be the last four-seater convertible from Mercedes for more than 20 years until the far less special A124 / E-class convertible in the early 90’s. At the time of the launch it cost 35.000 D-mark, no doubt a lot of money but by far not as much as today’s value of around EUR 350.000 – 500.000 for perfect cars, most of which have of course been renovated. There’s not many around and it’s probably easier to find one in the US than in Europe, as that’s where most of them were sold. That’s certainly not cheap, then again 280 SE 3.5 Cabriolet has a solid place in automotive history and is perhaps the most elegant Mercedes-Benz ever built. There’s really no reason why it should be cheap!

Street finds – Lamborghini 400 GT 2+2!

About 10 minutes’ walk from my office, there’s a small garage specializing in enthusiast cars hiding on a back street. It’s obviously an ideal and favourite destination for a lunch walk, and I try to pass by there at least every two weeks or so as there is usually something special to admire. Boy was I happy to do so earlier this week and discover a car I’ve never seen before and had no idea what it was! Seeing it at first from the side, I noticed the nicely stretched body, which at the C-pillar and backwards reminded at least this old Swede of the Volvo P1800. Next it was the very special windshield that caught my eye, literally bulging out over the bonnet. The badge gave away that I was looking at a Lamborghini but even then, I had no clue how exclusive this piece of automotive history really was!

I was actually especially happy running into this street find since I may not have been kind to the Lamborghini Gallardo in last week’s post on the Ferrari F430. I’m not going to lie, I’m really no fan of the Gallardo and in choosing between it and an F430, I would go for the latter every day of the week and twice on Sunday. Obviously however Lamborghini have a wonderful history and have built some amazing cars through the years, so it’s nice being able to pay tribute to that this week. After some googling and research, it was clear that what I had been looking at was a Lamborghini 400 GT 2+2 (a name that somewhat confusingly was applied to other Lambo models as well).

Somewhat peculiar headlamps, typical 60’s bodywork

What is then a Lamborghini 400 GT? To find out we need to go back to the late 60’s, more precisely 1966-1968 when the team in Sant’ Agata built no more than 273 of these beautiful cars. The 400 GT was the successor to Lamborghini’s first ever car, the 350 GT, of which only 120 cars were built between 1965-1967. The 350 was a two-seater, but thanks to a slight adjustment of the roof line such as to create more space, the 400 was a 2+2. Otherwise the cars are really very similar, not only visually but also mechanically. The stretched, typical 60’s body was designed by the Italian coach builder Carozzeria Touring, and they obviously put a lot of emphasis on the driver and passenger not hitting their heads against the windshield in the case of an accident! The headlights are a bit peculiar, but that’s where the complaints end.

The 400 GT 2+2 has a modified roofline compared to the 350 GT

Both the 350 and the 400 GT were modern for the time with notably independent suspension and disc brakes on all wheels. The 5-speed gearbox was linked to the most interesting part of the car, namely the V12 engine. As long-term readers of the blog will remember, this is indeed the V12 originally developed by Giotto Bizzarrini for Ferruccio Lamborghini and also featured in other Lambos such as the Miura (where it was transversally mounted) and that I’ve written about several times (see for example my post on Bizzarrini, the one on the Miura, or of course the one on the Countach). As the name suggests, originally the engine was at 3.5 litres in the 350, putting out 280 hp. In the 400 it was increased to 4 litres with power increasing to 320 hp and the torque by 20% to 365 Nm. The car weighed no more than 1300 kgs meaning the power was enough for a top speed of 270 km/h and a 0-100 km/h time around 6-6.5 seconds. Not bad for a 55-year old lady!

The 400 GT in question was not in mint condition and as I learnt from a chat with the garage owner, also not for sale. It belongs to one of the garagist’s clients, reason for which he wasn’t willing to share many details, but the garage is basically performing a mild restoration on it. I learnt all this a couple of days later at which time the car had moved into the back of his workshop, squeezed in between an XC120 Jaguar and a Ferrari 456, with a 550 standing a bit further away. I guess that’s what you call a nice work environment!

Paul McCartney apparently owned a 400 GT – this one!

After the 350 and 400 GT, Lamborghini would move on to the Isolero in terms of GT cars and to more well-known things in terms of supercars, such as the Miura and the Countach. The V12 would be further developed over the years, but this is really where it started and in that sense, the beginning of a true legend. The cars themselves, even though produced in very low numbers, are arguably less legendary, which doesn’t mean they’re cheap. As we all know by now, limiting supply, be it of cars or of Russian oil is a good way to drive the price up, so if you’ve fallen in love with the Lambo 400, prepare yourself for a long search to find a good one and when you do, to part with at least EUR 400′. That buys you a wonderful automobile, a legendary engine, and guaranteed uniqueness!

The best dream car in the world!

I don’t know about you, but I’ve often wondered what goes on in the boardrooms of car manufacturers when the decision on what to call a new model is taken. Without getting into the many, less successful names or number combinations we’ve seen over the years, I rather wonder if it’s decided beforehand that numbers will be used, or if it starts by trying to find a name and when you don’t, you then resort to a number combination? In the case of Ferrari back in the 60’s, there’s no question though that numbers ruled, each with a meaning but often so close to each other that separating the cars became rather difficult. Such was the case of the Ferrari 365 GTB4, and that’s probably the reason why the world decided to call it something way more appealing: Daytona!

Shark-like nose with the original 5-spoke wheels

It’s special for me writing about the Daytona, since in the unlikely case I will ever be able to start my dream car collection, the Daytona will be first in line. I’ve always loved the car for its looks, its construction and of course, its fabulous engine. As someone who grew up in the 80’s and who didn’t miss a single episode of “Miami Vice” and found Don Johnson very cool, of course it didn’t hurt that a Daytona Spider (or as we learned, at least a replica on a Corvette C3 chassis) was featured. But I would have loved the Daytona even without Miami Vice, and we’ll see if I succeed in conveying some of that love to you in this week’s post!

Starting with getting the story of the name out of the way, Daytona comes from the fact that Ferrari finished first, second and third in the prototype class of the 24 hours of Daytona in 1967, the year before the car was launched. The official name was however always 365 GTB4 (alternatively GTS for the Spider), and it was the successor of the 275 GTB4 and the predecessor of the 365 GT/4 Berlinetta Boxer. 365 refers to the volume of each cylinder and 4 comes from the two twin cams on top of the two cylinder banks of the V12 engine to which we’ll come back later. The Daytona is also interesting since it was the last V12 Ferrari presented before Fiat took a 40% ownership of Ferrari, and also the last, new 12-cylinder Ferrari sold (officially) in the US until the Testarossa (another great name!) 15 years later, due to the increasing regulatory and legislative costs that weighted heavily especially on low-volume manufacturers. The car was presented to the world at the Paris auto salon in 1968.

The GTB has more harmonious lines than the GTS

The Daytona was designed by Leonardo Fioravanti at Pininfarina, who would later also design the 280 GTO and F40, and the car was put together by Scaglietti, the famous Italian coach builder and a long term Ferrari partner. The design is a clear break with earlier Ferraris, looking much more modern with the shark-like, sweeping nose, the set-back cabin and the rather abrupt tail. Until 1971, around 400 Daytonas were built with their headlights behind plexiglass, but it was again the US authorities that put an end to this by forbidding headlights behind double glasses. Later Daytonas were instead equipped with pop-up headlights. The GTS was introduced in 1969 and became very popular especially in the US. It’s identical from the waistline and down to the Berlinetta and only 10% of Daytonas built were Spiders, but the popularity led to many GTB’s having their roof cut and thus being transformed to “inofficial” GTS’s. That’s a crime comparable to many bad things I can think of… Needless to say, should you be lucky enough to be in the market for a GTS, you’ll want to make sure you know its history and hence that it’s a genuine one!

A beautiful – here restored – interior!

On the inside, it’s all you can expect from a plush, Italian GT from the era. Early Daytonas had a Momo wood steering wheel which was however replaced by a leather version on later versions (a bit unclear from when), said to give more grip especially at low speeds, since the Daytona’s perhaps biggest drawback often cited is its heavy steering. The shifter is in perfect reach on the high center console and is linked to the rear-mounted 5-speed manual box, a transaxle construction that gave the car a very good balance. It’s a lovely, plush space that at least some experts claim is of higher quality than for example Lambo interiors from the same period. Obviously the Daytona is a two-seater, however offering some space for your Ferrari leather bags right behind the seats as well.

The heart of the car is of course the fabulous longitudinal, 60-degree angled, 4.4 litre V12, developing a claimed 352 hp and 431 Nm of torque, enough to give the Daytona a top speed of 280 km/h as it weighed in at around 1600 kg dry. The engine wasn’t new but rather derived from its predecessor, the 275, but its capacity was increased and it was fitted with six Weber carburettors. The sound that comes out of that construction is, as you would suspect, nothing but glorious, and increasingly so as the revs climb. The 365 is perhaps slightly less economical than a Prius, so it’s very helpful that Ferrari fitted a truly huge, 128-litre tank. That should be enough for at least a couple of hours, at which point you should anyway stretch your legs, so you may just as well fill up at the same time.

One of the best V12’s in all its beauty!

The Daytona was built until 1973 when as mentioned, it was replaced by the 365 GT/4. The production time was actually quite long for the type of car at the time, and in total 1284 cars were built. Of these about 400 as mentioned have the original, plexiglass nose. Also as mentioned, about 120 were (original!) Spiders. Today original cars are all immensely valuable but should you be lucky enough to have the choice, I would go with a plexiglass GTB, as this is the original design as intended by Fioravanti. I’d also be very happy to use the muscles a bit, gripping that wonderful, wooden Momo steering wheel. Colour-wise most cars are red but there’s also quite a few in black, blue and in other colours, including 13 cars in a brown metallic officially called “marone metallisato”, which paired with the beige leather interior look absolutely sensational. Chances of finding one of these are… slim, and finding a Daytona in any shape or form today is hard and expensive, with prices having risen quite dramatically to somewhere around USD/EUR 700′-900′ for good cars.

A later car with pop-up headlights – almost, but not quite as beautiful!

I’m not a believer in miracles and unless one happens, I’ll never park a Daytona in my garage. Then again as we all know, when you realize something you’ve long dreamt about, reality can be a bit… disappointing. So perhaps the Daytona is actually best left as an object of desire. Because as I dream of it, the sun shines all the way down to the French Riviera along the Route Napoléon. The roads are empty, no one has come up with speed limits or invented speed cameras. In the dream I also look surprisingly good and much younger, perhaps with a slight resemblance to Don Johnson (it goes without saying that my wife next to me just looks as good as always!). We stop at a small bistro and enjoy a lunch with a bit of rosé, that in no way affects my driving skills. Of course the Daytona runs like a dream, with the carburettor-powered V12 sound filling our ears as the kilometres run by. I guess I’ll keep on dreaming, and to me, the Daytona is without a doubt the best dream car in the world!

Luca’s sleeper!

You know how you sometimes think that a person’s name has destined them for their job? I came to think of this earlier this week, hearing of a guy called Andrew Drinkwater, working for the UK Water Research Centre. Yeah I know, very funny, but who knows, perhaps there’s indeed something in the sub-conscious that leads these people through life to their future careers? There’s however a second category of people where the connection is less direct, but where the professional choice is still kind of obvious. I mean, if you hear the name Luca Cordero die Montezemolo and you see a guy looking like the below picture, you know straight away that he’s the president of Ferrari, right? How could he possibly have any another occupation?

Destined for his job!

Jokes aside, our friend Luca has actually had a number of other jobs through his illustruous career before (and after) Fiat president Gianni Agnelli made him president of Ferrari in 1991. However, not only does he sound and look like a president of Ferrari should, he was also critical to Ferrari’s development both on the track and off it during the 90’s. It was under di Montezemolo’s leadership that Ferrari hired Jean Todt as team president and a few years later Michael Schumacher as driver, leading the F1 team back to their first driver’s and constructor’s world titles in 20 years. Off the track, di Montezemolo also had clear views on Ferrari’s future line-up: he wanted the new models to return to the classical Ferrari set-up with a front-mounted V12 engine in the style of the Daytona, rather than the mid-engined cars which had been the focus through the 80’s. He also wanted them to be true drivers’ cars in the sense of cars that you can drive every day, meaning a clear improvement in build quality.

The two cars that represent di Montezemolo’s philosophy best are on one hand the beautiful F550 which I wrote about a long way back in 2015, but on the other the less well known Ferrari 456. Both share the same fabulous base engine, but the 456 is of course a four-seater and actually something as unusual as a very discrete Ferrari that some people (let’s call them less discerning) could actually mistake for something else. It doens’t screem “look at me!!”, usually doesn’t come in red, and today actually trades at far below EUR 100′, probably making it the best value there is to be had among classical Maranello cars, especially since it’s actually a really good car that is clearly underrated. All good reasons to look closer at it this week!

Generally considered one of the more beautiful Ferraris, with a clear 90’s vibe!

Starting with that discrete design, that’s absolutely not the same as saying that the 456 isn’t pretty. On the contrary, it’s by most considered one of the more beautiful recent Ferraris. It has kind of a timeless look with the 90’s, rounded styling elements clear to see. Interestingly, the 456 was the last Ferrari to feature pop-up headlights. It’s also one of the more colour-sensitive Ferraris, with most cars coming in silver or various shades of metallic blue, colours that suit the car really well as opposed to the Ferrari red which really doesn’t. The inside is a clear step-up compared to 80’s cars like the Testarossa (or indeed the 365-400-412, a car with the same concept produced through the 70’s and 80’s) with a whole different quality feel to the interior. It’s quite simply a nice place to spend many hours in. That feeling of well-being is further supported by the wonderful work Ferrari did with the V12 under the bonnet.

Everything you need, and nothing that you don’t!

It’s certainly complanining on a high level, but sometimes V12’s can suffer from a lack of torque at low revs. This was notably a criticism BMW had to hear with the 850, and it can be traced back to various aspects of how the engine is built. Ferrari was conscious of this during the development of the 456 and used various tricks and all the experience of the team back in Maranello to improve power especially at lower revs. They notably went back to the 65 degree-angle of the Ferrari Dino days, but also changed the firing order of the 12 cylinders (each by the way 456 cm3 in volume and thus the source of the car’s name). Rather than alternating the firing order along the crankshaft as is usually the case, the 456 fires the cylinders next to each other, which together with some other clever engineering gave the 456 a clear boost in low-down torque. The naturally-aspirated masterpiece puts out 442 hp in total, which for a weight of around 1900 kg is really all that you need.

The 456 was built on the verge between the mechanical and digital age, meaning it still has some interesting pure mechanical components, such an accelerator by wire. Unfortunately, this doesn’t really make it an ideal do-it-yourself car (even though adjusting that gas wire can do wonders and is quite simple!), and the 456 needs regular service to a larger extent than more modern Ferraris, including a new cam belt every 3-4 years. If it’s taken care of properly, it is however fundamentally well built and ticks all of Luca di Montezemolos desired boxes for an everyday Ferrari. The other thing it needs plenty of, as a true representative of the mechanical 12-cylinder engine age, is unfortunately fuel, but that’s hopefully not a surprise to anyone. Apart from that the 456 is a wonderful, true GT, ready to transport you and your three passengers (with the two in the back preferrably not being basketball stars) and their luggage to some nice southern location, without any need for an infotainment system with 29 speakers!

The fabulous 5.5 litre, 12 cylinder engine

The 456 was available with a 6-speed manual (with the most beautiful gearshift gate ever built) that you definitely want, and a 4-speed automatic you don’t necessarily. I mean sure, you can imagine the 456 with an automatic, but how could you ever choose not to have a gear changer looking like the one pictured further up? There’s also roughly as many of the Modificata version, the facelift produced from 1998 and onwards and which featured an updated interior, body elements and chassis, but not more power. For both, the market today starts at around EUR 65-70′, going up to to maybe EUR 90′. One thing to note here is that if you speak to Ferrari specialists, they will tell you that the engine isn’t really run in until after 50′-70′ km, meaning you don’t necessarily need to go for the low-mileage cars, but rather those that have been driven, enjoyed and maintained. That’s good, because those tend to come from the right owners, and they’re also typically found towards the lower range of that price range.

There’s no doubt quite a few people who would love to own a Ferrari 12-cylinder but who find most of them a bit too flashy to be seen in. I’d probably count myself among those, and for us the 456 is rather ideal. It has style, it has grace, and it provides all the Ferrari pleasure but in a more discreet format, and right now at a lower price tag. Around 3300 cars were built in total between 1992 and 2003, from 1998 in the “M” for Modificata version. In a world where underrated classics have become few and far between, and none more so than those combining 12 cylinders with a manual transmission, here is certainly one of the last good representatives. So in summary, we should all be thankful to Luca Cordero di Montezemolo for taking on the job his name destined him to!

GTI – letters that changed the world!

The other day I spoke to my not-very-car-interested neighbour about a car he had seen illegally parked in our street (this is Switzerland remember, so these are the kinds of things you discuss with your neighbours). When asking him what kind of car it was, he said “it was one of those Jeeps”, which of course doesn’t mean it was a GM Jeep at all, but rather some kind of SUV. Jeep is thereby an example of a quite rare phenomenon, namely when a brand name becomes representative of a whole segment. I’m sure that’s great for Jeep somehow, but let’s assume I had instead asked the neighbour what he thought about when I said “GTI”. I’m quite sure the answer would have been “Golf”, not only from him, but basically from every single person born in the 70’s and 80’s (and perhaps some others as well). Three letters, meaning nothing more than Grand Turismo Injection, have become synonymous not only with all Golf GTI’s built in different versions since the mid-70’s, but with the whole hot hatch segment that followed. That beats Jeep by a mile, and today we’ll look at the first generation Golf GTI!

Doesn’t look like much today, but a car that changed the world!

The sun was shining on our summer house outside of Stockholm in the summer in 1976 or 1977 when the father in the neighbouring family arrived in his new Golf GTI. You’ll forgive me for not knowing the date exactly but I was five or six then so this is one of my very early memories, but I do remember how extremely cool the car was and how great it sounded! The neighbours had two sons roughly my age, and I would enjoy many rides to the beach in that Golf together with them in the following years. I especially remember the younger one loving to stand between the front chairs, playing air guitar during the drives – yeah, these were slightly different times…

That Golf GTI was of course a representative of the Golf family, one of the biggest car successes of all times and born out of VW’s inability in the late 60’s and early 70’s to develop a desirable replacement to the ageing Beetle, a pre-WW2 construction. Finally Giurgietto Guigiaro took the pen and drew what became the Golf, introduced in 1974. The self-supporting body of the new car showed very good rigidity, and thus a group of engineers came up with the idea of building a more sporty version. They managed to convince VW’s management and “the fastest VW of all time” would be introduced in 1976, with as engine the 1.6 litre four-pot from the Audi 80 GTE, developing 110 hp. Not a lot, but remember this was in a car weighing in at around 800 kg, and also at a time where there was some kind of inofficial consensus that a front-wheel drive car couldn’t handle more than 100 hp. VW’s management may have been convinced to go ahead with the GTI but didn’t have very high hopes for its potential success, estimating the total demand at 5.000 cars. That was of course just slightly off the mark.

A rather modest-looking engine bay…

The GTI became an immediate success. Some optical touches consisting of a different front spoiler and the famous, red-framed front grill but also black window frames and plastic wheelhouse arches for the slightly larger wheels all helped differentiate it on the outside from regular Golfs. The optical “tuning” with limited means continued on the inside with the famous tartan textile on the seats and the even more famous golfball-styled shifting knob. The Golf GTI had stiffer suspension than regular Golfs and was fun to drive. Given the low weight, its sub-10 seconds to 100 km/h meant it was quicker than many of the popular coupés at the time, such as the Manta we looked at a couple of weeks ago or indeed VW’s own Scirocco. Not only was it faster/better to drive, it remained as practical as any Golf, built like a box and easily fitting both more people and luggage than a coupé. Its pricing was competitive and the 5.000 cars VW had imagined rapidly became much more, eating into a lot of those coupé sales.

Tartan sport seats and a golf knob in the pre-1981 cars!

Based very much on the idea of never changing a winning concept, there weren’t many modifications to the Mk1 GTI until its production end in 1984. Some of the most important include the five-speed gearbox that came in 1979 and wasn’t to everyone’s liking, and what can be referred to as a face lift in 1981 including larger tail lights and a re-designed interior with notably a new dashboard but also new textiles – and a new gear shifter. In the final year of production the GTI would receive a larger engine at 1.8 litres, primarily with better torque, that would later be used in the MK2 GTI. The purists weren’t more convinced by the new engine than by the five-speed gearbox, as to them it didn’t feel as “pointy” as the old one. This is of course reminiscent of the same discussion around the 1.6 vs the 1.9 litre in the Peugeot 205 GTI, the hot hatch that is almost as legendary as the Golf GTI and which would make life hard for the Mk2 GTI from the mid-80’s and onwards.

From 1981 on, notably tail lights were larger

When the lights went out on the first series GTI, a total of just over 460.000 cars had been built. By now this is over a million across all eight series of the GTI, and even though there have certainly been later models that are great to drive, the purity of the original concept has vanished over the years, with the GTI becoming much more of a conventional, and not-very-hot hatch. The no-frills approach of the first series is what made its success, together with the fact that it remained as practical and solid as any conventional Golf, and it’s what still makes it great today. If you can find one, that is.

Given the production numbers you’d perhaps expect that there are still plenty of cars to be had. Unfortunately, the reality is rather that many cars have been crashed, thrashed or tuned to death, or quite simply rusted away, since VW’s rust protection at the time wasn’t great. The Golf is of course not a 12-cylinder Italian full blood and it won’t ruin you even if it’s not perfect but still, for the EUR 20-25′ where the fun starts today (by the way more or less what the GTI cost when it was launched in today’s money), make sure you find the right car. If you do, the grand daddy of the whole hot hatch segment still reamains one of its best representatives. These days however, I’d recommend enjoying it without air guitar playing between the front seats!

Manta Manta!

The car we’ll look at today comes from Germany, which is obviously not very remarkable. But if I tell you it’s a car that every single German born somewhere between 1960 and 1990 will have a story or memory of, or rather, several stories and memories, that already narrows the selection quite a bit. If I then tell you it’s a piece of German modern culture, and yet forgotten in the rest of the world, you would be scratching your head if you hadn’t seen the picture in the banner. Actually you may still be scratching your head, since the car we’ll talk about this week is an Opel, GM’s European brand not known for exciting cars in any way and not very well known outside of Europe (although the Manta was actually one very few Opel models that were sold in the US). I have a distinct feeling that this is the only time Opel will be featured on this blog, but the legendary Opel Manta shows that even brands that don’t get it right very often sometimes do, at least in creating a true legend. Enough said – this week we’ll have a closer look at the Manta but even more, at the cult and culture that has developed around it every since, and lives on to this day!

Starting with the name, a Manta (or manta ray as it’s also known) is the largest ray fish in the world. You may ask yourself why on earth an auto-maker would name a car after a fish, but remember that animals in general were popular in the 60’s, as shown notably by the Ford Mustang, and fish more particularly so, with both the Corvette Stingray and the Plymouth Barracuda. Very much in line wth the times, Opel thus opted to name its new coupé Manta, and all Mantas had a badge with the shadow of a manta fish on the left front wing. The message was clear: driving a Manta was far cooler than driving any other Opel! Unless you’re a die hard Opel fan, that’s however where all similarities with any of the above animal cars end…

As cool as it gets – if you’re an Opel fan

The German auto scene was competitive in the booming 60’s with Opel in the running notably against Ford, as both brands shared the focus on building reasonably-priced cars for the German middle class. Family coupés were very popular at this time not only in Germany, considered a sportier way to drive around your family, typically consisting of your wife, two children and their luggage, than a more traditional sedan or station wagon. This worked since not only the family but also their luggage was for some reason far smaller than today, and Ford had brought the slick and very successful Capri coupé in 1966 which Opel couldn’t compete with as their only coupé at the time, the Kadett, was too small to fit the bill. Something had to be done, which for Opel meant giving the pen to George Gallion, an American designer, and asking him to draw a larger coupé with the Kadett as basis. So he did, the Manta was born, and Gallion became the father on what is after the 911 perhaps Germany’s most well-known car model – in Germany.

A nice Series 1 and next to it, not the Manta’s typical buyer!

Production of the first Manta series started in 1970. Priced from 8.000 German marks and upwards, it was a car people could afford, but neither of the two four-pot engines at 60 or 90 hp were really sporty enough to swing the tail of the rear-wheel drive coupé. Still, around half a million Mantas were built over the following five years until 1975. By then the Manta was getting old and Opel introduced the series 2, or Manta B – according to commercials from the time, a car that was “dynamic, racy, sporty, comfortable, and safe”. In truth it was even less racy than the first series, at least in the beginning as it had to appeal to buyers who had just come out of the first oil crisis. It was however a better car, bigger in every dimension and more comfortable, according to Opel what buyers were looking for. If production is anything to go by, they were right. The Manta B was built over 13 years until 1988 in a total of another half million cars – longer than any other Opel model has ever been built.

A very green Manta B with clear 80’s flair…

The Manta was thus a huge success but not, as you’ve probably guessed by now, a very exciting car. The design of the first series is classic and reminiscent of other coupés from the same era, not only the Ford Capri but also for example the the Fiat 124 Sport Coupé, one of which I was once a proud owner. At the time the Manta set-up with a longitudinal front engine and rearl-wheel drive was the norm, but fitting the engines lacking power to a 3-speed automatic in addition to the 4-speed manual didn’t really contribute to the sportiness. The fact that the owner’s manual was shared with the grandfather-like Opel Ascona, and said so in large letters on the cover, didn’t really help either. The Manta B looks more the part here, at least if spoilers and skirts is a sign of sportiness. It did offer more power at up to 140 hp and with time also a 5-speed manual, but that was really it. Until the tuners toog center stage, that is.

The 80’s were obviously the decade of bad taste in general, and car tuning in every way, both optical and mechanical, in particular. Thanks to its relatively cheap and basic mechanics, the Manta quickly became a favourite among tuners and pretty soon also the laughing stock of the rest of the population. Numerous stories and jokes not really pointing to neither the intelligence, nor the taste of Manta drivers made the rounds, and still do today. An example of one of those that can be translated would go as follows: “what goes through the head of a Manta driver when he hits a brick wall? The rear spoiler”. The type of jokes also had to do with Mantas being cheap, as was often the quality of the tuning, and the Manta thus became a favourite among those with slightly smaller budgets and where things like big black letters screaming “Manta!!” on the side of the car, the 80’s style rear window sun curtain or even small spoilers on the windshield wipers were considered tuning. Other mandatory attributes included a fox tail on the antenna and driving-style wise, always driving your Manta with your left arm leaning out the side window. Engine-wise not much of a budget was required either to get more power out of the four-pot, or as some proud owners did, replacing it altogether!

Classic Manta tuning – no carbon here…

By the 80’s the Manta was however starting to get old, with the basic construction originating in the 60’s and far more modern cars coming on stage. Opel thought a bit of marketing was all it would take to change this, and tried to re-vitalize the Manta in a big marketing campaign showing it not as a car belonging in front of a fast food joint, but rather in the front yard of a successful businessman. That didn’t really work, to put it mildly. They also tried to enter the rally scene with the Manta 400, which at 260 hp was the most powerful Manta every built. This was however the time of four-wheel drive and more modern constructions in the rally scene, and Opel’s adventure ended quickly, as did production a few years later. The legend was however just getting started…

In 1991, the German movie “Manta Manta” premiered and was subsequently watched by more than 12 million Germans, meaning around 1/6 of the population! It can be described as a mix of Grease and Fast & Furious in an early 90’s German setting, featuring a group of young Manta owners on their adventures and culminating in a race between a heavily tuned Manta and an arrogant 190 2.3-16 driver. It manages to pack every single Manta joke and combine it with 90’s-style racing scenes and some truly amazing hair cuts into 87 minuts, and if you’re into the time period and light entertainment German style (an interesting combination), it’s definitely not one to be missed. The movie was anyway crucial in continuing the Manta legend and also establishing its reputation as a car for those with somewhat simpler minds.

The film car from “Manta Manta” – the world’s most famous Manta!

The Manta scene in Germany remains active to this day, with regular gatherings of everything from original cars to, well, less original ones. There is a bit of a difference to be made here between the first and second series, with the first one generally attracting a more traditional, oldtimer-focused crowd, and the second one more of 80’s enthusiasts. Both types are starting to become increasingly rare and thus to increase in price, although we’re still at relatively modest levels of EUR 15-25′ for good cars. If the 911 isn’t your thing or budget but you still want to drive one of the most legendary German cars there’s ever been, and in addition at a very reasonable budget given the not very exciting but very solid technology, you really can’t go wrong with a Manta. If it’s a B, make sure there’s no rust or damage underneath all those spoilers and that if it’s tuned, it’s done in a somewhat proper way. And whichever one you choose, should you go to Germany, be prepared for the a joke here and there – but also for a lot of smiling faces!

Vive la République!

Can a supercar that is today worth around EUR 1.5m (or USD 1.6-1.7m) ever be called a bargain? Or actually, let me rephrase that: can a French car worth around 1.5m ever be called a bargain? How you answer that question obviously depends on your economic reality and your relationship to French cars, and you also have to be very clear on the word “bargain” only ever referring to the purchase price – nothing thereafter can be called a bargain, whatever your budget, as we’ll see later. If however you’re lucky enough to have cars above a million being part of your economic reality, then you should certainly have a closer look at the Bugatti Veyron 16.4, built in Mulhouse, France, for all the reasons we’ll look at today!

Most Veyron’s are bi-color, but the real cool ones in my eyes are the single-color ones!

For those of us with slightly smaller bank accounts, the Veyron will remain the stuff of dreams – but what dreams! Every decade has its supercar shining star (Lambo Countach, Ferrari F40, McLaren F1 etc.), but all these fade in comparison with the Veyron. When it was presented in the mid-00’s, no one had seen anything like it. A street car capable of 400 km/h with a 16-cylinder, 8-litre engine with four turbo chargers putting out over 1000 hp, at a level of luxury comparable to the best in the business, and at a new price of around today’s value, i.e. 1.5m. The Veyron was a true revelation and as such, also the precursor to later supercars like the Pagani, Koenigsegg and of course also Bugatti’s Chiron. In that sense, it is and will always remain a true legend of which a total of 450 cars were built during 10 years, from 2005 to 2015.

There are so many fabulous facts around the Veyron that you can’t list them all. As alluded to above, this is a car with a top speed of over 407 km/h, completely unheard of for a road car in 2006 and a number you really don’t need to be embarassed about in any way today either. In comparison, the current top-of-the-range McLaren Speedtail of which McLaren has built (and sold out) 106 cars and which benefits from all the latest hybrid technology “only” manages 403 km/h. Some other crazy facts around the Veyron includes that it takes in as much air in one minute as you breathe – in four days. Or that if you run it at full throttle (for which you require two separate ignition keys, the second to release the full power), the 100 litre tank will be empty in 12 minutes. or that you need to change the tires after 7′-8′ kms or when you’ve exceeded 400 km/h on four occasions, and that they’re not the type that come with a discount at your local tire dealer. And so on. In every single aspect, they Veyron was the most extreme creation the world had ever seen.

Not that you’ll see a Veyron often on the road, but if you do, this is likely to be the angle

Bugatti has a long and pretty troubled history going all the way back to 1909. Ettore Bugatti founded the company in Mulhouse in the French Alsace region, which borders Germany and belonged to Germany at the time, before becoming French after WW2. The company produced some of the most exclusive sports and luxury cars in the world from 1909 until WW2, when the Maginot front line ran practially through the factory. After the war Bugatti wasn’t able to keep up with the times and was unsuccessfully taken over first by Hispano-Suiza in 1963 and subsequently in 1987 by the Italian Romano Artioli who bought the rights to the name and set it up as an Italian company. His ownership lasted 12 years and it was during this time that the EB110 was developed, the only modern Bugatti car before the Veyron and not a huge success. Bugatti continued to balance on the brink of insolvency until 1998 when it was finally taken over by Volkswagen and returned to Mulhouse. Under VW’s ownership, the company started to work on what was to become the Veyron straight away, with a very clear objective: to build the fastest road car the world had ever seen.

The Royale is one of Bugattis most famous cars from the pre-war era

Central to all the Veyron prototypes was the engine, initially planned to be an even larger 18-cylinder monster, basically combining three six-cylinder engines. Technical issues with the highly complex construction led to the company having to settle with “only” 16 cylinders, V-formed and mid-mounted. The whole package with the four turbos weighed more than half a ton, to which should be added the 100 kg of the 7-gear double-clutch gearbox. If you think that sounds like a lot for a gearbox, remember it has to handle a torque of 1250 Nm! The Veyron has a total of 10 radiators with a total system capacity of over 50 litres, and the car’s body is obviously full of air intakes to help cool the massive engine which initially put out 1001 hp and later as much as 1200 hp in the Super Sports version that was built from 2010 onwards.

The Veyron has what I would call a very understated, elegant, sleak design that also looks very aerodynamic in a soap-like kind of way. I’ve seen it live a couple of times and noted it also looks rather small, as supercars often do. It may therefore come as a surprise that in terms of aerodynamics, the Veyron is very far from setting any kind of records. With a wind coefficient of 0.39 it’s worse than most station wagons both then and now, and the problem mainly comes from the giant air intakes required to cool the engine but which upset the air streams. The weight not only of the engine but also of all other mechanical components and of course also the very luxurious interior brings the car to a total weight of around 1900 kg, roughly half a ton more than what was initially planned. If your aim is a top speed of over 400 km/h that kind of wind resistance doesn’t help, and that in combination with the weight helps explain the rather Opec-friendly consumption…

Same style as a Pagani, but far less extravagant!

Seeing a supercar from the inside is usually not very exciting, and going back 20 years, things were certainly not better, rather the contrary. The fact that other supercars were rather crappy perhaps makes the Veyron’s inside even more impressive, but it’s an interior that can easily be compared to the best cars in the business, irrespective of category. It’s a universe of leather and metal, a wonderful analogue universe that in its simplicity makes for example a Pagani look a bit over the top. It’s also the quality of the car that people who have been lucky enough to drive it talk about, and which contributes to completely without drama reaching 100 km/h in 2.5 seconds and then keep going on, and on, and on…

So what about the bargain part? Well, as mentioned, Veyrons today start at around 1.5m. That’s an insane amount of money, but if you compare it to the very small universe of comparable cars, things look a bit different. To take a few examples, the Veyron’s predecessor, the clearly inferior EB110 costs 200’300′ more, as does a Ferrari F40 or a McLaren P1. The Chiron costs around 2.5m, whereas a Ferrari Enzo is around 3m, same as a LaFerrari. And what they all have in common, is that they’re slower than the Veyron! As noted initially, the purchase price is however only half the story because when it comes to the running costs, the Veyron is very much in a league of its own. To take a few examples, an oil change takes 27 hours and costs around USD 20′. That’s about 5′ less than a set of new tires of the only approved type, the Michelin Pilot Sport PAX, and when you’ve replaced these four times, you will also need to replace the magnesium wheels. You don’t want to think about what that costs. I recently heard about a German dealer willing to add a one-year service and guarantee package to a Veyron he has for sale – for EUR 100.000…

The Bugatti factory in Molsheim – impressive and in spite of prices, heavily loss-making!

Of course, talking about the Veyron in terms of service costs is the wrong angle to take. You should instead admire it for the amazing technical creation it is, especially considering its technology is almost 20 years old. Volkswagen’s ambition with the Veyron was to showcase its technical capabilities, and it was willing to take very significant costs to do that. The result is enormously impressive, especially considering it happened almost 20 years ago, but it was also extremely complicated, and thereby expensive. No official numbers are available but it’s been estimated that VW took total losses of around EUR 1.7bn from Bugatti during the first eight years of the Veyron’s production time. That equals around EUR 4.5m per car and if you add the sale price of 1.5m to that, the total is around 6m. Given that and that you can buy a Veyron today for 1/4 of that, how can the Veyron be anything but a bargain??

When youngsters create legends!

Long-term readers of this blog will probably have understood by now that I have a bit of a weakness for the mechanical age, and a fascination for the fantastic engineers and mechanics that built incredible automobiles in the age before computers and modern production methods had conquered the world. And when all this comes together in the lovely Italian car tradition, then that’s basically as good as it gets – if you ask me. This week we’ll look at what is perhaps the best demonstration of such inspired, but not fault-free engineering. We’ll do so with a bunch of engineers and designers that have already featured a couple of times on this blog, and actually also with an element that can be described as a lesson in good management. This week is about the Lamborghini Miura, small in size but very large in supercar tradition!

We’re back in the mid-60’s and Ferruccio Lamborghini, who has so far introduced three cars to the market, is set on building a better GT car than what Ferrari has to offer. Better in reliability but also better in parts, not recycling racing parts but rather with cutting edge technology. He doesn’t care much for low, loud and uncomfortable sports cars, but he’s keen on using the 12-cylinder engine our old friend Giotto Bizzarrini developed after he left Ferrari to set up his own company (I wrote about Bizzarrini a year ago, see here). That is indeed one hell of an engine which produced 350 hp and revved all the way up to 9800 rpm. That was a bit too much for Ferruccio and he therefore gave the engine to his two engineers Stanzani and Dallara (the latter also the chief engineer of the whole car) to reduce the rev range somewhat and make the engine more reliable. They did so, managing not to lose power in the operation (well, at least not officially), but it doesn’t change the fact that Bizzarrini indeed developed Lamborghini’s first 12-cylinder engine. In Ferruccio’s mind, the only thing missing now was a GT car to put it in.

What Ferruccio had at his disposal next to the engine was an enthusiastic group of young engineers and a designer we’ve also met before, Marcello Gandini, who had just been hired by Bertone. These young stars didn’t really share Ferruccio’s vision of the next Lambo being a GT car, and they were also heavy influenced by a certain Ford GT40 which at the time was big news in the US. The Ford was essentially a race car and heavily inspired by it, the engineers set off on the concept of a race car for the road rather than for the track. Ferruccio watched – and stood back, leaving the youngsters to it. That may not sound as impressive as it actually was. You see, at this time in 1965, in a world where age still counted for quite a lot, chief engineer Dallara was 29 years old, as was Stanzani. Soon-to-be designer Gandini was 27. In a world where old men still ruled, it was in other words a bunch of kids that designed the world’s first true supercar!

Dallara and Stanzani built a frame of a size suitable for the sports car they had in mind, but not necessarily suitable for a large V12. But rather than making the frame any larger, they turned the engine around and basically merged the transmission with it, as there was really nowhere else to put it. This was undoubtedly the tightest package around a V12 ever built and must have been a complete nightmare to work on as a mechanic – and quite a few mechanics would be doing so in subsequent years. The engineers put some wheels on the frame with the engine fitted, and now only the body was missing.

As mentioned, Ferruccio had let the youngsters work on this in peace and probably thought of the project as a good showcase for Lamborghini in general, and the coming GT car in particular. That’s also why the soon-to-be Miura was presented just like that, without a body, at the Turin car show in 1965. To Ferruccio’s great surprise, this was all it took for the first ten orders to come in. For the chassis that is, not for the coming GT car. It became obvious that a body was now needed, and the job was given to 27-year old Marcello Gandini who had started at Bertone two days earlier. He certainly didn’t sit around, but rather designed the Miura in as many days as he’d been employed. Thanks to this, the car in its final layout could be presented just five months later, at the Geneva Auto Show in 1966. 30 more orders came directly at the show, bringing the total to 40, growing to 75 by the end of the year.

Everyone including Ferruccio were obviously happy about the great success, but it also created a bit of stress in Sant’Agata. You see, at the time, Lamborghini employed all of… 78 people. Around 40 of those were engineers, and another 20 were apprentices. The first remark is that it’s remarkable to take an idea to production in as little as two years with such a small team, and even more so when you think of how complicated the Miura was. The second remark is that it would maybe have been good if those apprentices had been real mechanics, as was to be discovered later. For now, everyone was highly motivated, working long shifts all days of the week. Ferruccio was happy to let them work, brought them food at night, and continued to keep out of the way.

Unfortunately the quality of the first cars was problematic to say the least, and probably sensing this would be the case, Lamborghini made sure to deliver the first cars to Italian clients. As the cars came in for service, the clients were then taken to some very long lunches, giving the mechanics enough time not only to service the cars, but actually to do some quite fundamental changes and improvements to them. The first series was thus far from perfect, something that however improved with the updated Miura S in 1969, which produced 25 hp more and had a slightly wider track. Some quite serious problems did however persist during the Miura’s whole production run, including engines breaking down completely because of failing lubrification, and cars catching fire due to a less successful positioning of the tank. On the less than perfect side was also the heat caused in the cabin through the positioning of the engine, and the fact that the slightest touch of the accelerator made any conversation impossible. At the same time, that’s of course one of the Miura’s greatest thrills!

The Miura may not have been a race car but it certainly looked like one. It was also really fast for the time, meaning a 0-100 km/h of around 5.5-6 seconds and a top speed of around 280 km/h. The car was light, as was the front end, causing quite a few rollover accidents. The Miura S was replaced by the last version, the SV, in 1971, and even thought things kept improving, the Miura never became trouble-free. Finally in 1973 Ferruccio decided to pull the plug, but he didn’t do it as you may think, by firing the team behind the less than perfect Miura project. Instead he not only delegated the management of Lamborghini’s whole production to Stanzani, but he even accepted the latter’s demands not to interfere in the day to day work, and never to challenge his decisions. Stanzani, clearly a fan of the saying “when in trouble, double!” quickly moved on to create the Countach, a car no less exotic, but which would become much more well-known and much more legendary than the Miura (see here if you missed my review of it last year).

It may have been the first, but the Miura was thus by no means the perfect supercar. But honestly, how could it have been, with the limited resources and experience Lamborghini had at its disposal? That doesn’t change the fact that what a bunch of under-30-year-olds created in a few months was truly impressive in everything from idea to realization. It’s also a good lesson in management, illustrating that letting young people pursue their ideas usually produces good results! Accidents, fires and breaking engines has reduced the number of Miuras left on the road today from close to 500 produced to no more than a few dozen, and finding one isn’t easy. It’s also not cheap. For most of us, the Miura will thus remain something we may see at a car show, and otherwise a wonderful story of young talent from the golden age of the automobile!

When Alfa gets it right!

Alfa Romeo is a legendary car brand, which through the years has worked like few others on ruining its legend and making the inherent love many of us have for the Italian brand a tough one indeed. Luckily however there have been periods when Alfa gets it right, and when they do, the cars they build tend to be pretty irresistible. The current Alfa line-up is the best Alfa’s had in years, but today we’ll go back 15 years to when Alfa got it right last time, with the wonderful 8C Competizione. Many will never have seen it as only 500 were initially built (of which 80 went to the US), but it was an important car not only in that it was pretty good, but also as it shaped Alfa’s design language over the coming years and also marked the brand’s return to the US, a market from which it had been absent since 1995. Finally, it’s one of very few, if not the only Alfa from the modern era that costs more today than it did as new. More than enough reasons to look closer at it this week!

Purposeful, compact, with elements reminding of Alfa’s past!

The 8C project started in 2003, a time when the Alfa line-up was not much to write home about. It included notably the Brera, a somewhat sporty coupé, far too heavy and with an engine from (hold on tight) Opel… The 159 and 166 were large sedans at a time when no one really wanted sedans anymore and with a design that wasn’t really one. I actually owned a 166 and it’s one of the better cars I’ve had, and surprisingly completely free of any problems, but the world can be forgiven for missing it.

Somewhere around here Alfa’s designers started working on a design study to express a new design language. The study was a sports coupé which the design team and the legendary boss Sergio Macchione were so pleased with that it received the sign-off for a limited production run of 500 cars. It had barely been announced to the market in 2006-2007 before the full production run was sold out. If you look at the car it’s easy to see why, but not only was it beautiful, it was also quite competitively priced at the time at around EUR 150′. That was however still twice as much as anything else in the Alfa line-up at the time.

It may not be a compliment mentioning that the same rear lights later featured on the MiTo mini hatch…

Looking closer at the design, it’s a lovely combination of classic Alfa elements from the 50’s and 60’s with a modern touch in a well proportioned, compact body, or in other words a true Italian beauty. When comparing it to today’s supercars, it’s almost shocking to see how Alfa managed to design the 8C and get the power onto the road without the use of a single spoiler. Under the carbon fibre body Alfa used a lot of what the Fiat sibling Maserati offered in the Grand Turismo, most notably the new 4.7 litre V8 engine which in the 8C sits right behind the front axle. In traditional Alfa style the gearbox was in the back and the 8C is thus a well balanced, transaxle construction. The engine put out 450 hp and with a weight of around 1600 kg, the 8C was more than 200 kg lighter than the Maserati and good for a 0-100 time of 4.2 seconds, and a top speed of 290 km/h, all very respectable twenty years ago.

The inside features beautifully-designed carbon seats that look very similar to the Ferrari Enzo’s, a carbon dashboard and various other carbon parts, together giving it a suprisingly high quality, but also quite “raw” cabin feel. This is obviously a car from the mechanical age so the interior doesn’t feature touchscreens of any kind, rather solid buttons that you push and turn. What it didn’t offer either was much luggage space., but you can squeeze in a bag behind the front seats and all the way in the back under the glass cover, there’s a leather bag fitted, slightly bigger than a briefcase – that would be the official luggage space. Then again you can always buy what you need when you arrive, especially if you arrive as fast as would (theoretically) be the case with the 8C. Unfortunately however, there are a couple of things that may hamper that progress.

What looks like plastic is carbon fibre – raw…

The first is not very surprisingly the gearbox. The 8C comes from the time before double-clutches, meaning the semi-automatic 6-speed box is a bit slow and not very smooth neither in manual, nor auto mode. The second is unfortunately the ride, which is said to be quite harsh and not very composed. Finally, the breaks are not comparable to anything in modern supercars, especially not ceramic ones. The thing is however that when you put your foot down you forget about all of that, because when the sound of the 4.7 litre Masserati engine starts to build all the way up to the limit at 7500 rpm, you’re in heaven. We’ve all heard the same engine in the Grand Turismo where it was introduced shortly after, and it doesn’t sound any less in the 8C. Actually it probably sounds a bit more, given its lower weight and the not very noise-isolating carbon interior.

Beautiful engine sitting behind the front axle

At EUR 150′ back in 2006, the 8C was quite competitively priced for what it offered, and as mentioned the 500 cars produced were sold very quickly. Alfa didn’t increase the production run but rather brought the 8C Convertible to the market in 2009, but doing so they also increased the price quite massively, making it far less of a good deal than the 8C was. They built another 500 as convertibles in 2009 that all sold, both in Europe and in the US. And even if the 8C marked Alfa’s return to the US market, as so often Alfa didn’t really manage to build on it so that it took another few years until the brand returned for real, then with the 8C’s younger and smaller brother, the 4C.

The 8C is thus one of the best-looking and best-sounding supercars out there even today, and in good Alfa tradition, slightly compromised. As mentioned it’s also one of very few Alfas worth more today than what they were as new. In spite of the limited production run you actually find quite a few cars in the market, more convertibles than coupés, with prices today typically between EUR 250′-300′. At that price point the supercar alternatives are plentiful, and it’s hard to argue that the 8C is a better buy than many of the other cars out there. But if you want something unique that you definitely won’t see on every corner, and which has a sound making any kind of stereo system completely unnecessary, then the 8C is definitely the car for you!